Shelf Life Blog
The graphic novel Spider-Man: New Ways to Die begins like many Spider-Man stories before it. There is a brief explanation of Peter Parker’s dual life as a superhero and a photographer stuck in perpetual poverty, quickly followed up by a battle between Spidey and the newest “Goblin” character, Menace.
However, it quickly becomes clear to the reader that the status quo has been greatly changed for this latest adventure. Parker works for a different newspaper, his former nemesis Eddie Brock is dying of cancer, and Norman Osborn, previously the Green Goblin, is in charge of the Thunderbolts, a team of “hero hunters” out to capture Spider-Man.
"Pssst!" is what a young girl at the zoo hears as she walks by each animal enclosure. They all want her to bring them increasingly outrageous and seemingly random items.
Sure, the gorilla's swing is broken, so a new tire does not seem that out of the question. And maybe bicycle helmets would be a good investment for a slipping sloth. But the turkeys don't want to eat the corn they ask for— they want to turn it into ethanol. Our young heroine is going to have a hard time meeting all of these demands.
In Born Standing Up, Steve Martin looks back at his comedy career in a way that few artists are able to do. He not only has succeeded in his craft, he also has the luxury of being able to step back from the act and make sense of just what it was all about.
In the 1970's and 80's, Martin attained a kind of success usually reserved for rock stars. He filled up arenas and released number one albums, but Martin is quick to point out that this was no overnight sensation. He spent his youth trying to break into the entertainment business by working at Disneyland and writing for the Smothers Brothers Comedy Hour.
There are graphic novels that literally paint then print images onto the page. The Brother Athelstan books are another kind of graphic novel. They have a very visual feel to them, only it’s done with words. Some medieval mysteries are as stuffy as a centuries-old cupboard. P.C. Doherty’s The Nightingale Gallery isn’t like that. Its characters breathe and move and love and murder with a striking vivacity.
Maggie’s new stepfather gives her the creeps. Not only is he short and hairy and definitely not her Dad, but he speaks with a strange accent and spends most of his time in a shed doing who-knows-what. True, it is not his fault that he cannot replace her dead father, and her mother seems to really, really love him, but somehow that only makes worse the Shadows that follow him everywhere—dozens of them that no one else seems to see.
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Anthem by Ayn Rand: Anthem examines a frightening future in which individuals have no name, no independence, and no values. Equality 7-2521 lives in the dark ages of the future where all decisions are made by committee, all people live in collectives, and all traces of individualism have been wiped out. Despite such a restrictive environment, the spark of individual thought and freedom still burns in him--a passion which he has been taught to call sinful. In a purely egalitarian world, Equality 7-2521 dares to stand apart from the herd--to think and choose for himself, to discover electricity, and to love the woman of his choice. Now he has been marked for death for committing the ultimate sin. In a world where the great "we" reign supreme, he has rediscovered the lost and holy word--"I." (Book description)
Beep and Bah is the story of a robot and a goat on an adventure for the ages. A sock is missing its match, and it's up to this pair of unlikely friends to get it back. Daring Beep is game to search the entire world for the sock's "sole" mate while the more cautionary Bah follows behind.
First off, yes, it is that Dahmer. Secondly, yes, this book is written and drawn by a man named Derf Backderf.
My Friend Dahmer is much more than just a grisly expose on the teenage life of a future serial killer; it is also a rumination on the culture of 1970's suburbia, where teens were left to their own devices in the wake of divorce or career-minded parents.
A Street Cat Named Bob is the true story of a young man who is a recovering heroin addict who was homeless in London. He became part of a government program that found him an apartment and started him in a rehab program. Then he met Bob, the orange street cat who became attached to him and refused to leave the apartment’s hallway for weeks. James finally let Bob into his apartment, and they developed a fast friendship that benefited both of them.