Shelf Life Blog
In her first novel, The Murder Farm, Andrea Maria Schenkel presents a fresh, new twist to the mystery genre.
City of Women, by David R. Gillham, is set in 1943, Berlin, which has indeed become a city of women as most of the men have gone off to fight in World War II.
It’s not her fault they call her Bloody Jack. Well, not exactly, though I suppose in her way she earned it. ‘Twasn’t always like that, though. She came from a nice if poor family in London, Mary did, before the pestilence came and took their lives, and horrible Muck came with his wheelbarrow for their bodies to give to the doctors to cut up. Set out on the curb, crying as a small girl will, old Muck tried to cheer Mary by assuring he’d be back for her before too long.
Birds of a feather may flock together in Telephone, by Mac Barnett, but that does not mean they understand each other. Taking place on an actual telephone wire, the story begins with Peter the pigeon's mother asking a friend to tell him to fly home for dinner. Anyone who has played a game of telephone before will know what happens next.
Set in small fishing village in Haiti, Claire of the Sea Light weaves its net of interlocked stories from loss, love, and hope.
Like most small towns, Ville Rose has wealthy people who believe themselves to be important and others who just scrape by, barely making a living. Nozias the fisherman loves his little daughter Claire Limyè Lanmè – Claire of the Sea Light. But they are so very poor and his job is so dangerous that he worries what will happen to her if one day he does not return.
The Final Silence starts with a locked door.
Middle-aged Rea Carlisle, daughter of a prominent Northern Ireland politician, has inherited her Uncle Raymond’s unusual house after his suicide. It takes little time to deal with her uncle’s few possessions, and every room (besides one) has been sorted and cleaned. The remaining locked door leads to what seems to have been Uncle Raymond’s upstairs office, and Rea can’t figure out why it’s sealed off. Once she pries open the door, she immediately realizes the answer to that daunting question.
Like martial arts, magic, and high school heartbreak? Amanda Sun’s Ink has got you covered.
It’s not easy moving to Japan, and Katie Greene was having an especially rotten day. She forgot to change from her school slippers—again! and ended up barging into a huge break-up scene between moody, gorgeous kendo captain Yuu Tomohiro and his leggy, book-smart girlfriend of the glittery nails.
Looking for a book to share on a frosty day? Virginia Brimhall Snow’s Winter Walk is a lovely and informative stroll through nature’s quiet season. Grammy leads the children to all sorts of interesting discoveries. “Why is this tree green, Grammy, when others are brown?”
From the perspective of learning, this book is just right for young ones, and its design allows different ages to enjoy it. The figures of the people are only sketched, almost fading into the white backdrop as they make snow angels, fill a bird feeder, and have a snowball fight. But the images of what they notice and talk about are incredibly vivid: a cardinal, a snowshoe hare, a chickadee, a fox… and a gleaming icicle.
Jamie Ford’s Songs of Willow Frost is a story of love and perseverance set in Depression-era Seattle.
British author F.R. Tallis has always been fascinated with electronic voice phenomena, also known as EVPs. Through these recordings, it is believed that one can pick up otherwise unheard spirit voices, a method long popular yet controversial with paranormal researchers. Sometimes EVPs seem to pick up vital information on the subjects’ past, revealing disturbing events that could have led to their demises. At other times, the recordings have proven to be completely useless and false. The fascination continues, however, as Tallis says on his website, “A ghost that has been objectified by technology is altogether more convincing and subsequently a great deal more frightening.”
In Tallis’ recent novel, The Voices, Christopher Norton, his wife Laura, and their young daughter Faye move into a beautiful Victorian house in London during the stifling summer of 1976. Norton discovers that the size and location of the home is perfect for his career as a film score writer. He finally has the opportunity to build his own sound recording studio. But as the hot summer nights wear on, Laura begins to hear slight knocking sounds on Faye’s baby monitor. Then come the mysterious, unearthly voices that crackle through the speakers.