Shelf Life Blog
Ah, the wacky uncle. He is an institution as old as the concept of family itself. Many can claim to have one, but few can say that his uncle is one of the most important artists of the 20th century. That's where Uncle Andy's, by James Warhola, figures in.
Before Warhol was a painter, a filmmaker, and a celebrity, he was Andrew Warhola. After college, he shortened his name and left his home in Pittsburgh to start an art career in Manhattan. But back in Steel City was Andy's older brother Paul, who worked in a junkyard and was father to seven children, one of whom was our author/illustrator James. Paul used a lot of the trash he found to make sculptures, and if he found something particularly unusual, he would bring it to Andy.
During the summer’s excitement over the massive, new blockbusters, many older and more unusual films are neglected and ignored. These older monster films, though they lack the digital effects and huge budgets of more modern releases, are classics of their genre, with clever performances and intriguing plots. One day this summer, you may feel compelled to take a trip back in time and see some of these legendary movies for yourself.
Discworld, Terry Pratchett’s satirical fantasy series, has entertained lovers of fantasy novels since the publication of its first installment, The Color of Magic, in 1983. Over the course of dozens of novels, the focus of Pratchett’s satire in the series changed. Early entries like The Color of Magic tended to be broad parodies of fantasy and role-playing conventions and characterizations. However, later novels such as Night Watch, Thud, and Unseen Academicals became much more focused on satire of real-world concepts of race, class, and current societal issues. Unseen Academicals is a strong example of the style of the later Discworld installments. On its surface level a novel about a group of wizards trying to win a “football” game, Unseen Academicals is a sprawling satire of modern attitudes towards sports fandom, social class, and the cloistered nature of academe.
"It's a horrible day," said Will Stanton. "It's creepy somehow."
In Susan Cooper’s The Dark Is Rising, Will’s words prove to be every bit a true prophecy. On the day before his eleventh birthday, Will and his brother escaped from their noisy, happy house into the quiet English countryside. A black wind was blowing just a bit of snow, but there was more to come, snow and blackness both, for the Dark was rising across the land. They stopped to get some hay at Dawson's Farm—an ordinary errand. The farmer took Will aside. "The Walker is abroad... and this night will be bad, and tomorrow will be beyond imagining."
"This hat is not mine. I just stole it."
This is Not My Hat invites us into the mind of a tiny fish who cares nothing for his underwater brethren. The fish offers many reasons why he will succeed in his crime, why he deserves the hat over the much bigger fish he snatched it from. Obviously, we are dealing with a sociopath here.
As Cecilia Holland’s historical romance Great Maria opens, our young and pretty heroine is doing what any well-bred medieval girl might be about on a blustery afternoon: visiting a religious shrine some miles from home and contemplating a life in the convent. Guarded as she is by a handful of her father’s knights, she cannot help noticing that one of them is extremely young and handsome... and that he has noticed her. But when a sudden vicious attack leaves her in dire peril, it is an older knight with cool gray eyes who defends her and brings her back to her father’s castle.
Colin Fischer never goes anywhere without his notebook. Within the spiral-bound pages is his guide to understanding the world around him.