Biographies & Memoirs
We’ve invited our partners at Water Street Studio to tell you about our collaboration in the Believe Write Share community project now under way:
At Water Street Studio, we believe people have stories to tell. We share those stories in our art, our writing, and in our community. Believe, Write, Share, our partnership project with the Central Rappahannock Regional Library, will enable local residents, young and old, to write about core beliefs and guiding principles—and share them with the community.
"Stepping in a rhythm to a Kurtis Blow.
Who needs to think when your feet just go?"
Tom Tom Club - The Genius of Love
Ed Piskor cannot rap or dance. He is no good with turntables or sampling. What Piskor can do is draw, which is why Hip Hop Family Tree is such an important testament to honoring the innovators and pioneers of the culture.
Hyperbole and a Half explores artist Allie Brosh's almighty id with a kind of courageousness usually reserved for walking on hot coals or taunting killer bees. Based on the popular blog of the same name, Brosh's book features anecdotes and musings from her life, complemented by pictures drawn with a basic paint program.
Sheer audacity is one of Brosh's best assets. Her stories are bold examinations of what she fears most in life and how these anxieties form her identity.
When a palm reader told Nicole J. Georges that her long-deceased father was very much alive, Nicole's first thought was, "Who does she think she is?" But the psychic was definitely onto something, and Calling Dr. Laura started to take shape.
In Michael Paterniti’s The Telling Room, he first encounters Páramo de Guzman while working in a deli after graduate school in the early 1990s. At $22 a pound he wasn’t going to taste it, but he wanted to know its story.
You Don't Know Me But You Don't Like Me documents Nathan Rabin's journey into two vastly different but equally mocked musical fan bases. Phish and Insane Clown Posse are about as far away as you can get from each other in terms of sound, lyrics, and subject matter. The one thing that they do have in common is that their fans have very few qualms about conscious-altering substances.
That's how Rabin finds his ticket in. He's been going through some issues lately—actually he's been going through issues his whole life. Lower-class with a foster-home upbringing, Rabin managed to carve a niche for himself in Chicago writing for the A.V. Club, a cultural review publication that belongs to The Onion. Despite that success, it certainly cannot help to be diagnosed bipolar, which is exactly what happened to Rabin on his journey.
In Born Standing Up, Steve Martin looks back at his comedy career in a way that few artists are able to do. He not only has succeeded in his craft, he also has the luxury of being able to step back from the act and make sense of just what it was all about.
In the 1970's and 80's, Martin attained a kind of success usually reserved for rock stars. He filled up arenas and released number one albums, but Martin is quick to point out that this was no overnight sensation. He spent his youth trying to break into the entertainment business by working at Disneyland and writing for the Smothers Brothers Comedy Hour.
First off, yes, it is that Dahmer. Secondly, yes, this book is written and drawn by a man named Derf Backderf.
My Friend Dahmer is much more than just a grisly expose on the teenage life of a future serial killer; it is also a rumination on the culture of 1970's suburbia, where teens were left to their own devices in the wake of divorce or career-minded parents.
A Street Cat Named Bob is the true story of a young man who is a recovering heroin addict who was homeless in London. He became part of a government program that found him an apartment and started him in a rehab program. Then he met Bob, the orange street cat who became attached to him and refused to leave the apartment’s hallway for weeks. James finally let Bob into his apartment, and they developed a fast friendship that benefited both of them.