Biographies & Memoirs
March: Book One is the beautifully constructed graphic novel biography of Civil Rights activist and Congressman John Lewis. Relying only on black and white imagery, it is quiet in its form and presentation. Lewis' struggle of growing up in the Deep South, fighting to go to college, and helping to organize lunch counter sit-ins speaks volumes and needs no distraction.
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Ciao America! by Beppe Severgnini: "In the wry but affectionate tradition of Bill Bryson,Ciao, America! is a delightful look at America through the eyes of a fiercely funny guest -- one of Italy's favorite authors who spent a year in Washington, D.C. When Beppe Severgnini and his wife rented a creaky house in Georgetown they were determined to see if they could adapt to a full four seasons in a country obsessed with ice cubes, air-conditioning, recliner chairs, and, of all things, after-dinner cappuccinos. From their first encounters with cryptic rental listings to their back-to-Europe yard sale twelve months later, Beppe explores this foreign land with the self-described patience of a mildly inappropriate beachcomber, holding up a mirror to America's signature manners and mores."
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I'm A Stranger Here Myself: Notes on Returning to America after 20 Years Away by Bill Bryson
The master humorist and bestselling author of A Walk in the Woods now guides us on an affectionate, hysterically funny tour of America's most outrageous absurdities. After living in Britain for two decades, Bill Bryson recently moved back to the United States with his English wife and four children (he had read somewhere that nearly three million Americans believed they had been abducted by aliens--as he later put it, "it was clear my people needed me"). They were greeted by a new-and-improved America that boasts microwave pancakes, twenty-four-hour dental-floss hotlines, and the staunch conviction that ice is not a luxury item. Delivering the brilliant comic musings that are a Bryson hallmark, I'm a Stranger Here Myself recounts his sometimes disconcerting reunion with the land of his birth. (Catalog summary)
The Muse is Always Half-Dressed in New Orleans by Andrei Codrescu
These essays by the sharp and ingratiating Codrescu ( Road Scholar ) rove all over the place, and readers should be ready to do likewise. The author, a Transylvanian-born poet, a longtime resident of the U.S. and a commentator for National Public Radio, takes up subjects just as incongruously diverse as himself in his 26th book. As his fans will be glad to find, Codrescu stays in character: he is passionate, informal, maverick and ragingly funny, unwilling to behave.
"Stepping in a rhythm to a Kurtis Blow.
Who needs to think when your feet just go?"
Tom Tom Club - The Genius of Love
Ed Piskor cannot rap or dance. He is no good with turntables or sampling. What Piskor can do is draw, which is why Hip Hop Family Tree is such an important testament to honoring the innovators and pioneers of the culture.
Hyperbole and a Half explores artist Allie Brosh's almighty id with a kind of courageousness usually reserved for walking on hot coals or taunting killer bees. Based on the popular blog of the same name, Brosh's book features anecdotes and musings from her life, complemented by pictures drawn with a basic paint program.
Sheer audacity is one of Brosh's best assets. Her stories are bold examinations of what she fears most in life and how these anxieties form her identity.
When a palm reader told Nicole J. Georges that her long-deceased father was very much alive, Nicole's first thought was, "Who does she think she is?" But the psychic was definitely onto something, and Calling Dr. Laura started to take shape.
In Michael Paterniti’s The Telling Room, he first encounters Páramo de Guzman while working in a deli after graduate school in the early 1990s. At $22 a pound he wasn’t going to taste it, but he wanted to know its story.
You Don't Know Me But You Don't Like Me documents Nathan Rabin's journey into two vastly different but equally mocked musical fan bases. Phish and Insane Clown Posse are about as far away as you can get from each other in terms of sound, lyrics, and subject matter. The one thing that they do have in common is that their fans have very few qualms about conscious-altering substances.
That's how Rabin finds his ticket in. He's been going through some issues lately—actually he's been going through issues his whole life. Lower-class with a foster-home upbringing, Rabin managed to carve a niche for himself in Chicago writing for the A.V. Club, a cultural review publication that belongs to The Onion. Despite that success, it certainly cannot help to be diagnosed bipolar, which is exactly what happened to Rabin on his journey.
In Born Standing Up, Steve Martin looks back at his comedy career in a way that few artists are able to do. He not only has succeeded in his craft, he also has the luxury of being able to step back from the act and make sense of just what it was all about.
In the 1970's and 80's, Martin attained a kind of success usually reserved for rock stars. He filled up arenas and released number one albums, but Martin is quick to point out that this was no overnight sensation. He spent his youth trying to break into the entertainment business by working at Disneyland and writing for the Smothers Brothers Comedy Hour.