Grave Sight, by Charlaine Harris, is an unusual and inventive twist on the classic genre of whodunit mysteries. The story follows Harper Connelly, a woman who has developed a unique ability after being struck by lightning as a child. Now, no matter where the bodies are, how old they are, or how well they are hidden, Harper can find them—and see how they died.
Joe Hill’s NOS4A2 follows the story of Vic McQueen, or "The Brat" as her father affectionately calls her, who happens to be a special little girl. While some children are fast readers, and others are good at a sport from a young age, Vic has the talent for finding lost things. Whether it’s a bracelet, a doll, or a missing photo, she can just hop on her bike, and her magic “covered bridge” takes her wherever it is that she needs to go. At first she takes her little trips to escape her volatile home life. However, over the course of her adventures, Vic soon discovers that she isn't the only person with such a talent—and not everyone with these abilities is nice.
Sylvie and her sister live far away from everybody else in an abandoned subdivision. Sylvie kind of likes it that way because of the gossip. There was even gossip before their parents were murdered, especially after the book came out about their ghost-busting ways. The stuff they kept in the basement. The exorcisms. The tell-all Help for the Haunted was full of way-too-personal details.
They were only going to be there a week on the deserted Icelandic island. It sounded like it could be a great adventure, even without electricity. The three of them, husband and wife Garðar and Katrin along with beautiful, spoiled Lif, had decided to renovate an old cottage. The place in summer was amazing, teeming with tourists so the house is a potential rental gold mine. Yet in the winter, not a living soul is to be found. I Remember You, by Yrsa Sigurdardóttir, begins with only a hint of the chilling disasters to follow.
The dying days of summer—hot and bright or fog-drenched and rainy—are a suitable time to escape to another century and into the Old World where vampires lurk in musty tombs and sometimes in the candlelight of high society. Michael Sims' collection, Dracula’s Guest, does include Stoker’s title story, but it is also a gathering of kindred pieces that lay out tales both plain and highly-embroidered of the pernicious beings known as vampires. These old school blood-drinkers do not sparkle handsomely in daylight and are decidedly and viciously carnivorous.
With the success of the TV series The Walking Dead, zombies are now considered one of the most popular monsters in pop culture. People who just recently became interested in zombie-related works may be surprised to learn how long zombies have existed in the public’s imagination. The following films provide plenty of thrills and chills featuring the undead:
During the summer’s excitement over the massive, new blockbusters, many older and more unusual films are neglected and ignored. These older monster films, though they lack the digital effects and huge budgets of more modern releases, are classics of their genre, with clever performances and intriguing plots. One day this summer, you may feel compelled to take a trip back in time and see some of these legendary movies for yourself.
I thought that Manhattan Projects was weird, and then the main characters stuck a cybernetic spike into Franklin Roosevelt's head, creating the world's first artificial intelligence.
Woe to anyone hoping that Jonathan Hickman's comic book series would be an accurate retelling of the construction of the atomic bomb. Sure, it gets mentioned from time to time.
The real driving force of Hickman's story, which ended up on many top comics lists last year, is the idea that the atomic bomb is just one of the hideous creations that super-geniuses Robert Oppenheimer, Albert Einstein, and Richard Feynman were working on. The other stuff... it ain't pretty.
Since the release of the 1968 horror classic Night of the Living Dead, most “zombie invasion” narratives have dealt primarily with zombies as an external threat, an anonymous, unreasoning force that can never be controlled or incorporated into human society. As such, the typical zombie story is driven by the fear of the living survivors of the undead; the zombies can be killed, evaded, or fortified against, but never empathized with. But what if, instead of being an unthinking, unknowable threat to civilization, the zombies were only shadows of our loved ones who passed away, and the true “zombie apocalypse” was the horror of humanity trying to understand why their beloved family members had returned from the grave? In Handling the Undead, John Ajvide Lindqvist, author of Let the Right One In, tells a tale of a civilization in crisis as it tries to communicate with the “reliving”—zombies risen during an intense electrical disruption that pose no violent threat to humanity, but challenge society’s philosophical notions of what it means to be alive.
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World War Z by Max Brooks: "Brooks tells the story of the world's desperate battle against the zombie threat with a series of first-person accounts "as told to the author" by various characters around the world. A Chinese doctor encounters one of the earliest zombie cases at a time when the Chinese government is ruthlessly suppressing any information about the outbreak that will soon spread across the globe. The tale then follows the outbreak via testimony of smugglers, intelligence officials, military personnel and many others who struggle to defeat the zombie menace." (Publisher's Weekly)
If you enjoyed World War Z and other books dealing with pandemics and global menaces, here are some other novels you may enjoy:
Death Troopers by Joe Schreiber
When the Imperial prison barge Purge breaks down in a distant, uninhabited part of space, its only hope appears to lie with a Star Destroyer found drifting, derelict, and seemingly abandoned. But soon after a boarding party returns from a scavenging expedition, a horrific disease breaks out and takes the lives of all but a half-dozen survivors whose only option forces them to return to the Star Destroyer--and the soulless, unstoppable dead waiting aboard its vast emptiness. (worldcat.org)
Feed by Mira Grant
The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED. NOW, twenty years after the Rising, Georgia and Shaun Mason are on the trail of the biggest story of their lives-the dark conspiracy behind the infected. The truth will out, even if it kills them. (catalog description)