RASL: The Drift deals with alternate universes. Worlds that are just like this one, with only the slightest differences. Looking for those small clues is sometimes helpful, sometimes upsetting, and this is especially true if you are not entirely sure what dimension you are in.
I thought that Manhattan Projects was weird, and then the main characters stuck a cybernetic spike into Franklin Roosevelt's head, creating the world's first artificial intelligence.
Woe to anyone hoping that Jonathan Hickman's comic book series would be an accurate retelling of the construction of the atomic bomb. Sure, it gets mentioned from time to time.
The real driving force of Hickman's story, which ended up on many top comics lists last year, is the idea that the atomic bomb is just one of the hideous creations that super-geniuses Robert Oppenheimer, Albert Einstein, and Richard Feynman were working on. The other stuff... it ain't pretty.
The universe has declared war on itself and everyone is choosing one of two sides. It all started when the species on a planet tried to conquer a species on its own moon. The destuction knows no end, but amongst the slaughter, within the dismal senselessness of bloodshed, there is a child born. She is the daughter of Alana and Marko, who are supposed to be enemies. Now all three are on the run. Saga: Volume One is the beginning of their story.
Military science fiction has been a major part of the science fiction genre since the publication of Robert A. Heinlein’s classic Starship Troopers in 1959. For the most part, military science fiction is not thought of as humorous, but one exception to this rule is Harry Harrison’s hilarious satirical novel Bill the Galactic Hero. The story of a cowardly, naïve, and none-too-bright young man who becomes an unwitting enlistee in a deadly, galaxy-spanning war, Harrison’s novel is filled with deadpan humor, bizarre situations, and satire of the conventions of military science fiction.
Forget the Hunger Games. A Canticle for Leibowitz is the grandaddy of all post-apocalyptic novels. In it, Walter M. Miller Jr. eloquently dissects the nature of mankind in a moving manner that is also surprisingly funny.
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The Handmaid's Tale by Margaret Atwood: Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking the rules.
If you enjoyed the dystopian themes of this novel and would be interested in similar dystopian works, here are some other titles you may enjoy:
1984 by George Orwell
Doublethink, thought police, constant surveillance, never-ending war. Although this classic dystopian novel was written in 1949, Orwell's lean prose, finely honed political discourse, and penetrating images seem as fresh, as menacing, and as disturbingly prophetic as ever. (Audiofile)
One of the earliest adventure novels detailing the journey of a group of explorers from the surface world through a subterranean civilization, Abraham Merritt’s The Moon Pool is also one of the best examples of the genre. With an exciting narrative full of thrilling action sequences, memorable characters, and a fascinating civilization of bizarre wonders, The Moon Pool is a great adventure novel that will thrill fans of classic science fiction. For fans of shorter novels, it is also a fast-paced read. Edited together from two novellas titled “The Moon Pool” and “Conquest of the Moon Pool,” it is under 300 pages in length and can be completed by most readers in about 3-5 days. For those seeking to discover the roots of sci-fi adventure stories in the early twentieth century, The Moon Pool is an excellent trip back in time.
The Sirens of Titan might be one of Kurt Vonnegut’s lesser-known novels, but it deserves just as much praise and attention as Slaughterhouse-Five or Cat’s Cradle. Vonnegut’s tendency to combine satire and existential inquiry gives Sirens an invigorating edge. It is an inventive drama, one that successfully incorporates space travel, dark humor, apathetic deities, and bleak ruminations on the futility of human progress.
Many early science fiction “space operas” were simple narratives of good vs. evil, with clean-cut heroes, dastardly villains, and no more ambition than seeing the hero fly off to another adventure at the end. Isaac Asimov’s Foundation, with its sprawling narrative, morally ambiguous characters, and realistic interpretation of both social and mathematical science, changed the course of science fiction forever. Asimov’s masterpiece presents an intriguing story of the fall of civilization, and the many people from varying walks of life who attempt to restore it. With Asimov’s meticulous attention to detail and a vibrant, chaotic universe, this novel will satisfy any fan of thoughtful, socially-aware science fiction.
Foundation is the story of the planet Terminus, a resource-poor planet at the edge of the galaxy that becomes the seed of a movement to save civilization after the fall of the Galactic Empire. The novel begins as the renowned “psychohistorian” Hari Seldon, having developed a mathematical model for the behavior of human beings on a mass scale, has foreseen the doom of the Empire and gathers up a group of scholars to create an encyclopedia of knowledge to aid humanity in the coming Dark Age.
Oh, John Scalzi, how I love you (~swoons~). Your likeable characters, intricate but uncomplicated plots, your passion for science fiction. . . you COMPLETE me. And your latest offering, Redshirts, does not disappoint. I knew the moment I read the title oh, so many months ago, that the Trekkie in me would melt at the book's first words. I was not mistaken.
Growing up in a military family, Star Trek's flaws were constantly pointed out to me. That preposterous notion that the entire senior staff would be sent time and again on dangerous missions with no one with any real command experience left in charge. I didn't care. Star Trek was cool, like bow ties, fezes, and Stetsons. But I'm ashamed to say I never did notice the disturbingly high mortality rate of the red-shirted junior officer on away missions. It wasn't until years later that I heard the term "redshirt" that it occurred to me, oh yeah, those guys were always toast, weren't they? Still, I never really gave them much thought, save for when I heard someone use the term I could go "Hey, I understood that reference! Yeah, those guys died, like, A LOT, didn't they?"