Military science fiction has been a major part of the science fiction genre since the publication of Robert A. Heinlein’s classic Starship Troopers in 1959. For the most part, military science fiction is not thought of as humorous, but one exception to this rule is Harry Harrison’s hilarious satirical novel Bill the Galactic Hero. The story of a cowardly, naïve, and none-too-bright young man who becomes an unwitting enlistee in a deadly, galaxy-spanning war, Harrison’s novel is filled with deadpan humor, bizarre situations, and satire of the conventions of military science fiction.
Forget the Hunger Games. A Canticle for Leibowitz is the grandaddy of all post-apocalyptic novels. In it, Walter M. Miller Jr. eloquently dissects the nature of mankind in a moving manner that is also surprisingly funny.
One of the earliest adventure novels detailing the journey of a group of explorers from the surface world through a subterranean civilization, Abraham Merritt’s The Moon Pool is also one of the best examples of the genre. With an exciting narrative full of thrilling action sequences, memorable characters, and a fascinating civilization of bizarre wonders, The Moon Pool is a great adventure novel that will thrill fans of classic science fiction. For fans of shorter novels, it is also a fast-paced read. Edited together from two novellas titled “The Moon Pool” and “Conquest of the Moon Pool,” it is under 300 pages in length and can be completed by most readers in about 3-5 days. For those seeking to discover the roots of sci-fi adventure stories in the early twentieth century, The Moon Pool is an excellent trip back in time.
The Sirens of Titan might be one of Kurt Vonnegut’s lesser-known novels, but it deserves just as much praise and attention as Slaughterhouse-Five or Cat’s Cradle. Vonnegut’s tendency to combine satire and existential inquiry gives Sirens an invigorating edge. It is an inventive drama, one that successfully incorporates space travel, dark humor, apathetic deities, and bleak ruminations on the futility of human progress.
Many early science fiction “space operas” were simple narratives of good vs. evil, with clean-cut heroes, dastardly villains, and no more ambition than seeing the hero fly off to another adventure at the end. Isaac Asimov’s Foundation, with its sprawling narrative, morally ambiguous characters, and realistic interpretation of both social and mathematical science, changed the course of science fiction forever. Asimov’s masterpiece presents an intriguing story of the fall of civilization, and the many people from varying walks of life who attempt to restore it. With Asimov’s meticulous attention to detail and a vibrant, chaotic universe, this novel will satisfy any fan of thoughtful, socially-aware science fiction.
Foundation is the story of the planet Terminus, a resource-poor planet at the edge of the galaxy that becomes the seed of a movement to save civilization after the fall of the Galactic Empire. The novel begins as the renowned “psychohistorian” Hari Seldon, having developed a mathematical model for the behavior of human beings on a mass scale, has foreseen the doom of the Empire and gathers up a group of scholars to create an encyclopedia of knowledge to aid humanity in the coming Dark Age.
Oh, John Scalzi, how I love you (~swoons~). Your likeable characters, intricate but uncomplicated plots, your passion for science fiction. . . you COMPLETE me. And your latest offering, Redshirts, does not disappoint. I knew the moment I read the title oh, so many months ago, that the Trekkie in me would melt at the book's first words. I was not mistaken.
Growing up in a military family, Star Trek's flaws were constantly pointed out to me. That preposterous notion that the entire senior staff would be sent time and again on dangerous missions with no one with any real command experience left in charge. I didn't care. Star Trek was cool, like bow ties, fezes, and Stetsons. But I'm ashamed to say I never did notice the disturbingly high mortality rate of the red-shirted junior officer on away missions. It wasn't until years later that I heard the term "redshirt" that it occurred to me, oh yeah, those guys were always toast, weren't they? Still, I never really gave them much thought, save for when I heard someone use the term I could go "Hey, I understood that reference! Yeah, those guys died, like, A LOT, didn't they?"
As with my review of Altered Carbon, I've arrived at the Starslip webcomic party a little late, as in, the seven-year series is finished. However, that might add a welcome bittersweet flavor to each strip I read as I come closer and closer to the end. I have fallen head-over-heels in love with all of author Kris Straub’s characters, his artistic style, and his off-kilter sense of humor as he simultaneously pays homage to and lampoons the best and worst traits of sci-fi soap operas. With every click of the forward-pointing arrow I know I am coming to the close of an incredible story, but, like with any good book, I can't stop!
I'd put off reading Altered Carbon for a few years, always reading something newer. Shame on me. This Philip K. Dick Award-winner is a brilliantly dark and gritty mixture of hardboiled detective fiction and cyberpunk that anyone looking for a story with a razor-sharp edge will love.
In the world of manga, Ryoko Kiyama is an ideal character. His eyes turn into pulsating hearts when he sees the object of his affection, sadness creates literal storm clouds overhead, and he is an expert at combating giant lizards and robots without getting injured. After accidentally falling through an “interdimensional cross-rip,” however, Ryoko’s ordinary behavior suddenly becomes freakish and bizarre. Ryoko has accidentally fallen into Western comics, a place populated by American teenagers who struggle to understand and tolerate such a strange visitor.
Let me get this out of the way: if you're not a "computer person," someone with more than a vague knowledge of computer networking technology, Brain Jack, by Brian Falkner, is probably not the book for you. If, however, you ARE such a person, Brain Jack will start off as the kind of thriller that you think you will love, but its ending, like so many other cyber-thrillers, feels rushed and absurd. Don’t get me wrong--you'll enjoy reading it, but don't expect anything too deep from this book.
Sam is the generic hero of our story. He's 17; he's a computer prodigy; and he's going to save the country from itself. The world of Brain Jack is set only a few years into our future. Falkner does a good job of building a world that, initially, is entirely conceivable based on our present. Computer technology is even more prevalent, and its consequences all the more potent. Las Vegas has been the victim of a nuclear attack that has left it in ruins, and the rest of the country is decaying under strict martial conditions.