"It's a horrible day," said Will Stanton. "It's creepy somehow."
In Susan Cooper’s The Dark Is Rising, Will’s words prove to be every bit a true prophecy. On the day before his eleventh birthday, Will and his brother escaped from their noisy, happy house into the quiet English countryside. A black wind was blowing just a bit of snow, but there was more to come, snow and blackness both, for the Dark was rising across the land. They stopped to get some hay at Dawson's Farm—an ordinary errand. The farmer took Will aside. "The Walker is abroad... and this night will be bad, and tomorrow will be beyond imagining."
"Irish businessman will pay large amount of U.S. dollars to meet a fairy, sprite, leprechaun, or pixie."
The ad was posted on the Internet. Indeed, it generated numerous fraudulent responses, but the person who placed it only needed one true lead for his purposes. He had studied all he could in the mundane world he inhabited, but he knew the important secrets of the Fairy would only be known by others of their kind. However, in Artemis Fowl, by Eoin Colfer, the Irish businessman posting the ad did not mention that he was stupendously rich—and rather young. In his mind, the latter certainly did not signify.
Ruby is 16 and lives at Camp Thurmond, a government-run work camp with harsh restrictions and brutal punishments in The Darkest Minds, by Alexandra Bracken. She has been there since she was 10, shortly after a deadly virus appeared and proved fatal to most of Ruby’s classmates. Survivors of the virus developed psychic abilities of varying levels, and they were grouped into five classifications that indicate their power/danger level: Blue, Green, Yellow, Orange, and Red, with red being the most dangerous. Ruby is secretly an Orange who has tricked the officials (her power is entering other people’s minds) into believing she is a Green, which has kept her safe until now. But the officials are aware that there are some hiding Yellows, Oranges, and Reds, and they are using new tactics to ferret them out.
No one really liked Duny in A Wizard of Earthsea by Ursula K. Le Guin. The boy was wild, proud, and full of temper-- well-suited to the company of the goats he herded. Then came the day when he overheard his aunt chanting a spell to call her goat down from the roof of her house. He remembered the rhyme and later spoke it to his own herd:
"Noth hierth malk man hiolk han merth han!"
The first time he said it, they came to him all together, staring with their yellow eyes. Duny laughed and shouted the rhyme again. They pushed towards him with their thick, ridged horns. Duny ran all the way to town with the goats close beside. The villagers laughed at him and cursed the animals.
There are many fantasy books that lead you to other places filled with wizards, royalty, and magical creatures. They provide an escape for their readers. But what if the characters wanted to escape? The Great Good Thing, by Roderick Townley, is about a princess who wants something more out of her fairy tale life—if only she can get the chance.
For ages and ages, no one had opened the book. Just as Sylvia sat weeping in boredom by the edge of the lake, pleading for something to happen, a fan of light began opening in a corner of the sky, sending flashes of color across the water. "Rawwwk! Reader!" screamed an orange bird. "Boooook open! Ooopen! Boook open!" groaned a bullfrog.
"Don't you love it, Mother? We can shut our eyes and pretend we live in a candy house. All candy. Everywhere."
The Ugly One in The Magic Circle by Donna Jo Napoli remembered how her child loved sweets. Asa was beautiful, and her mother tried to give her all the beauty she could though they were poor.
She worked as a midwife in the village where she was accepted for her healing gifts. She took simple things in exchange for her services: some food, a bit of wool, or perhaps a lovely ribbon for Asa's hair.
The hunchbacked woman was simply good, happy knowing that her talents were used to help others. Yet her neighbor Bala knew they would be rich if she could persuade the Ugly One to drive the demons from the burgermeister's son. The Ugly One protested. She was a midwife, an herbal healer sometimes, nothing more than God wished her to be. But when she saw the boy, yellowed and dying from a tormenting demon, she believed that God had given her another path.
Don’t you love the new year’s big events--the Super Bowl, the Oscars, and the American Library Association’s book awards?
Last week, librarians everywhere eagerly watched this year’s announcements, hoping to hear that their favorites were selected. Many shouted in exaltation, while others shook their fists at colleagues who didn’t make the choices we preferred. Although I did a little of both, one announcement was particularly thrilling. Tamora Pierce, one of my favorite authors, won the prestigious Margaret A. Edwards Award honoring her significant and lasting contribution to writing for teens.
A Covenant and a Code
In Sherwood Smith’s Crown Duel, it’s been hundreds of years since the mysterious Hill Folk went to war with the people of Remalna to defend their groves of colortrees, whose rich hues of blue and red and gold made them valuable for trade. The Hill Folk fought back with their all of their magical powers and easily defeated their foes. At last a truce was reached. The Remalnan settlers would cut no more wood, and in exchange the Hill Folk would give magical Fire Sticks to last them the winter.
What's wrong with this story:
A father tells the authorities his daughter can do impossible things AND the authorities believe him.
A soon-to-be bride promises to give her future baby away to a TROLL.
Said bride agrees to marry the man who's threatened to kill her if she can't keep doing the impossible.
What would a troll do with a baby anyhow, and why would he give her all that spun gold for a tiny ring?
Why doesn't the heroine do ANYTHING to get herself out of this predicament?!
This old fairy tale is such a ridiculous story that the author wanted to fix it. So Vivian Vande Velde set out to do so six different ways in The Rumpelstiltskin Problem. The characters never come out the same in these retellings. The troll in "A Fairy Tale in Bad Taste" has gruesome appetites. "Straw Into Gold" has our beauty and her father resorting to an elaborate con game to keep from starving to death in the days before Social Security or insurance.
What Lyra enjoyed most was scrambling across the rooftops of Oxford, committed to the serious fun of war that raged amongst the children of all the colleges and the townies in between. There were pummelings with armfuls of rock-hard plums, mud fights, and even the occasional kidnapping. Yet for all of her wild behavior, Lyra was not an ordinary child. She was a lonely, genius child with aristocratic blood in her veins, and every so often some unfortunate young Scholar would be dispatched by the Master of the College to round her up for a hot bath and tedious lessons at the start of The Golden Compass, by Philip Pullman.