There are many fantasy books that lead you to other places filled with wizards, royalty, and magical creatures. They provide an escape for their readers. But what if the characters wanted to escape? The Great Good Thing, by Roderick Townley, is about a princess who wants something more out of her fairy tale life—if only she can get the chance.
For ages and ages, no one had opened the book. Just as Sylvia sat weeping in boredom by the edge of the lake, pleading for something to happen, a fan of light began opening in a corner of the sky, sending flashes of color across the water. "Rawwwk! Reader!" screamed an orange bird. "Boooook open! Ooopen! Boook open!" groaned a bullfrog.
"Don't you love it, Mother? We can shut our eyes and pretend we live in a candy house. All candy. Everywhere."
The Ugly One in The Magic Circle by Donna Jo Napoli remembered how her child loved sweets. Asa was beautiful, and her mother tried to give her all the beauty she could though they were poor.
She worked as a midwife in the village where she was accepted for her healing gifts. She took simple things in exchange for her services: some food, a bit of wool, or perhaps a lovely ribbon for Asa's hair.
The hunchbacked woman was simply good, happy knowing that her talents were used to help others. Yet her neighbor Bala knew they would be rich if she could persuade the Ugly One to drive the demons from the burgermeister's son. The Ugly One protested. She was a midwife, an herbal healer sometimes, nothing more than God wished her to be. But when she saw the boy, yellowed and dying from a tormenting demon, she believed that God had given her another path.
Don’t you love the new year’s big events--the Super Bowl, the Oscars, and the American Library Association’s book awards?
Last week, librarians everywhere eagerly watched this year’s announcements, hoping to hear that their favorites were selected. Many shouted in exaltation, while others shook their fists at colleagues who didn’t make the choices we preferred. Although I did a little of both, one announcement was particularly thrilling. Tamora Pierce, one of my favorite authors, won the prestigious Margaret A. Edwards Award honoring her significant and lasting contribution to writing for teens.
A Covenant and a Code
In Sherwood Smith’s Crown Duel, it’s been hundreds of years since the mysterious Hill Folk went to war with the people of Remalna to defend their groves of colortrees, whose rich hues of blue and red and gold made them valuable for trade. The Hill Folk fought back with their all of their magical powers and easily defeated their foes. At last a truce was reached. The Remalnan settlers would cut no more wood, and in exchange the Hill Folk would give magical Fire Sticks to last them the winter.
What's wrong with this story:
A father tells the authorities his daughter can do impossible things AND the authorities believe him.
A soon-to-be bride promises to give her future baby away to a TROLL.
Said bride agrees to marry the man who's threatened to kill her if she can't keep doing the impossible.
What would a troll do with a baby anyhow, and why would he give her all that spun gold for a tiny ring?
Why doesn't the heroine do ANYTHING to get herself out of this predicament?!
This old fairy tale is such a ridiculous story that the author wanted to fix it. So Vivian Vande Velde set out to do so six different ways in The Rumpelstiltskin Problem. The characters never come out the same in these retellings. The troll in "A Fairy Tale in Bad Taste" has gruesome appetites. "Straw Into Gold" has our beauty and her father resorting to an elaborate con game to keep from starving to death in the days before Social Security or insurance.
What Lyra enjoyed most was scrambling across the rooftops of Oxford, committed to the serious fun of war that raged amongst the children of all the colleges and the townies in between. There were pummelings with armfuls of rock-hard plums, mud fights, and even the occasional kidnapping. Yet for all of her wild behavior, Lyra was not an ordinary child. She was a lonely, genius child with aristocratic blood in her veins, and every so often some unfortunate young Scholar would be dispatched by the Master of the College to round her up for a hot bath and tedious lessons at the start of The Golden Compass, by Philip Pullman.
"Irish businessman will pay large amount of U.S. dollars to meet a fairy, sprite, leprechaun, or pixie."
The ad was posted on the Internet. Indeed, it generated numerous fraudulent responses, but the person who placed it only needed one true lead for his purposes. He had studied all he could in the mundane world he inhabited, but he knew the important secrets of the Fairy would only be known by others of their kind in Artemis Fowl, by Eoin Colfer.
After a wild goose chase in Cairo, at last the trail led to Ho Chi Minh City. Artemis Fowl the Second, latest in a thousand-year-old line of criminal masterminds, sweltered in the heat of a Vietnamese summer, carefully noting every detail of the passersby as he waited to make contact with his source. He was accompanied by his devoted servant, Butler, who served as confidante as well as being an amazingly lethal bodyguard.
Totally disgraced after her expulsion from school, Karigan trudged homeward through the countryside in Green Rider by Kristen Britain. It wasn't an easy walk, more of a cross-country hike, really, but her shame and rage kept her moving even as she spent an aching night sleeping in a meadow and washed down some hunks of cheese and bread with less than clean brook water.
Suddenly from out of the dark woods, there came an explosion of red and green.
Blue, daughter of the town psychic, has grown up hearing that if she ever kisses her true love, he will die. So she has resolved to stay away from boys and, especially, to stay away from Raven boys – students at the exclusive Aglionby Academy. The Raven Boys, by Maggie Stiefvater, is the story of how Blue comes to break her own resolution and is drawn into the lives and adventures of some of those Raven boys she swore to avoid.
Welcome to The City in the realm of the daimons. At the heart of The City is the Carnival of Souls where both murder and pleasure are for sale. The Carnival is also the site of a deadly competition where, once each generation, daimons can fight to the death for a chance to join the ruling class. Melissa Marr’s new book, Carnival of Souls, will draw you into a dark, violent world where daimons and witches are mortal enemies and the main characters are swept up in a deadly struggle for power.