Maggie’s new stepfather gives her the creeps. Not only is he short and hairy and definitely not her Dad, but he speaks with a strange accent and spends most of his time in a shed doing who-knows-what. True, it is not his fault that he cannot replace her dead father, and her mother seems to really, really love him, but somehow that only makes worse the Shadows that follow him everywhere—dozens of them that no one else seems to see.
Cath is a Fangirl. Like many teens her age, she loves the hugely popular Simon Snow fantasy books. But Cath is not simply resigned to wait for each new volume's release. She writes new stories about magical prodigy Simon and his school roommate, vampire, and possible nemesis, Baz.
In Beastly, by Alexandra Flinn, Kyle Kingsbury is the kind of guy who has it all--looks, money, and charm. At his exclusive NYC prep school, of course he's going to be voted homecoming prince. It's a joke that anybody else even has his name on the ballot. Speaking of jokes, there's some new, chubby girl dressed in Goth black who's spent a lot of the morning glaring at him. She even called him beastly. How dare she?
Fourteen-year-old Elenor did not wish to be married, particularly not to Lord Thomas. He had been away at the Crusades for years, and what Elenor remembered of him did nothing to endear him to her. What was more, there was so much of the world to see, and marriage would end her chances for adventure, or so she believes at the beginning of Frances Temple's The Ramsay Scallop.
Johann had been terrible to her, absolutely terrible! Beautiful, 17-year-old Giselle told him that she loved him, and he had waved her away. He thought her family was not rich enough, not important enough for him to consider a relationship with her. But Johann was wrong. Shortly after he humiliated her, she and her sister discovered that they did come from an important family—and they were rich. For Giselle and her identical twin Ingrid are Dr. Frankenstein’s Daughters.
Alina Starkov has never felt like she belonged. Orphaned and adopted by a duke, Alina meets an equally parentless boy named Mal. The two are inseparable, referred to by the duke's servants as melenchki, little ghosts, as they giggle throughout the vast house. Of course, such things cannot always stay the same.
Shadow and Bone, by Leigh Bardugo, is set in an alternate version of pre-revolution Russia. In this nation, known as Ravka, the new world is starting to infringe on the old. It used to be the Grisha who maintained order. The Grisha are powerful beings who can manipulate living things, the elements, and metals as if using magic. New weaponry and a multiple-front war are changing all of that though.
Darcy Jones has been bouncing from foster home to foster home around Chicago for most of her short life. She remembers nothing from her early childhood. She has finally managed to spend more than a year with a foster parent and finally has some friends at her high school.
Little does Darcy know that there is an alternate world just like this one as well as an alternate Chicago. But in that world, the Great Chicago Fire never happened. In that world, The Shadow Society remains a deadly threat.
When a mysterious new boy at school, Conn McCrea, captures Darcy’s attention... her heart soon follows. She is about to find out though that Conn is from that alternate world, and so is she.
What's wrong with this story:
A father tells the authorities his daughter can do impossible things AND the authorities believe him.
A soon-to-be bride promises to give her future baby away to a TROLL.
Said bride agrees to marry the man who's threatened to kill her if she can't keep doing the impossible.
What would a troll do with a baby anyhow, and why would he give her all that spun gold for a tiny ring?
Why doesn't the heroine do ANYTHING to get herself out of this predicament?!
This old fairy tale is such a ridiculous story that the author wanted to fix it. So Vivian Vande Velde set out to do so six different ways in The Rumpelstiltskin Problem. The characters never come out the same in these retellings. The troll in "A Fairy Tale in Bad Taste" has gruesome appetites. "Straw Into Gold" has our beauty and her father resorting to an elaborate con game to keep from starving to death in the days before Social Security or insurance.
In Every Day, David Levithan creatively reinvents the familiar saga of star-crossed romance. The relationship at the novel's core is predictably fraught with tension and angst, but a significant twist transforms the entire scenario: one of the participants isn't actually a physical person, but exists as an intangible entity that inhabits a different body each day.
The entity known as A has no gender or corporeal presence, nor can it control which body it will occupy next. There are several restrictions that govern A's movements, however. A is never in the same body twice, inhabits hosts that match A's own age, and lingers in a geographical area as long as there are eligible bodies for it to occupy.