Our society is chaotic, violent, and often disturbing to grow up in. Wouldn’t it be much better to grow up in a safer, more secure place? How much of the unease and disorder of modern society would you sacrifice to create a more peaceful and harmonious civilization? The Giver, by Lois Lowry, asks this difficult question, and creates a dystopia both serene and haunting for its lack of emotions and empathy for its citizens.
Grace Pizzelli lacks pizzazz—or sparkle or brilliance or whatever you want to call it—unlike her brainy, beautiful, popular sister Emily. Grace was dozing off peacefully one day in trigonometry class when an unexpected summons to the principal’s office interrupted her nap. Mom was there, looking frantic and very un-put-together and, frankly, very unMomlike. Emily is missing. No, not her body. They know right where that is, but her mind is stuck somewhere in a video game. On purpose, no less, which is very unlike the totally perfect college student and computer genius everybody knows. In Deadly Pink, by Vivian Vande Velde, the Rasmussen gaming company has a huge problem. Players can only stay in total immersion games for so long before their bodies can’t take it anymore. If Emily doesn’t come out soon, she’s in big trouble, not to mention Rasmussen having a giant publicity meltdown over their dead programmer. Not dead as in messed-up-in-the-game-start-over dead, but really dead.
This author has had enough wild, true-life experiences to fill an entire shelf of books. She grew up helping her parents run a hotel in a part of Yuma, Arizona where all kinds of shady characters hung out. As a kid, she was brilliant, brave, and very sure of herself. Nancy didn’t care for school much. Indeed, she was dyslexic (and undiagnosed) and failed two grades because of it. But as she got older, she did read all the classics in the hotel library. One day when ditching school, Nancy discovered the cool spaces and amazing stories at the public library. Reading took hold of her and never let go.
In Taemon's world, the community of Deliverance, all activity and actions take place through the use of telekenesis.For example, no hands are needed when eating. One simply lifts the food into one's mouth through the power of thought. In fact, it is considered unseemly to use one's hands at all in the book Freakling, by Lana Krumweide. Additionally, Taemon is able to harness his psi in a rather unconventional way. He is able to let his mind wander. This enables him to see into the inner workings of things. But allowing one's mind to wander is forbidden.Taemon is an out-of-the-box thinker in a world that wants to box everyone in.
He was happy enough to share his dinner with the lanky man as they were both seekers. He sought the beauty of the Wisconsin countryside in the early autumn. The fellow who sat down beside him, his wool shirt buttoned tight though the day was a warm one, sought the relief of his misery in the beginning of The Illustrated Man, a collection of short stories by Ray Bradbury.
At last he stripped off his shirt in the heat.
"…he was a riot of rockets and fountains and people, in such intricate detail and color that you could hear the voices murmuring small and muted, from the crowds that inhabited his body. When his flesh twitched, the tiny mouths flickered, the tiny green-and-gold eyes winked and the tiny hands gestured. There were yellow meadows and blue rivers and mountains and stars and suns and planets spread in a Milky Way across his chest. The people themselves were in twenty or more odd groups upon his arms, shoulders, back, sides, and wrists, as well as on the flat of his stomach. You found them in forests of hair, lurking among a constellation of freckles, or peering from armpit caverns, diamond eyes aglitter. Each seemed intent upon his own activity; each was a separate gallery portrait."
He was an Illustrated Man, he explained tiredly. A witch from the past and future had stitched the glowing colors into his flesh forty years ago. He had wanted it done so he could always find a job at a carnival, but the pictures, all eighteen of them, came with a curse, and ultimately no traveling show would hire him and no man or woman would be his friend.
In the year 2194, there are three Zimbabwes. There is the Zimbabwe of the rich such as the luxurious compound of General Amadeus Matsika, the country's Chief of Security. His children, Tendai, Rita, and Kuda want for nothing. The robots take care of all their needs, and the Mellower, the house poet, makes everyone feel so much better when he sings their Praises in The Ear, the Eye, and the Arm by Nancy Farmer.
In another part of the city dwells the woman who is called the She-Elephant. She has her own compound, her own kingdom, in the abandoned waste dump. She has her servants, too. Fist and Knife are good for running errands-- a little thieving here, a little kidnapping there... When they find Matsika's children by themselves in downtown Harare, the opportunity for profit is just too good to let go.
In Every Day, David Levithan creatively reinvents the familiar saga of star-crossed romance. The relationship at the novel's core is predictably fraught with tension and angst, but a significant twist transforms the entire scenario: one of the participants isn't actually a physical person, but exists as an intangible entity that inhabits a different body each day.
The entity known as A has no gender or corporeal presence, nor can it control which body it will occupy next. There are several restrictions that govern A's movements, however. A is never in the same body twice, inhabits hosts that match A's own age, and lingers in a geographical area as long as there are eligible bodies for it to occupy.
Michael Vey has a secret. He and his mother moved away from their home in California so that his secret would not be discovered. Michael has Tourette's Syndrome, but that is not his secret, though the facial tics that are associated with his condition often make him the subject of bullying and teasing. On the way home from school one day, Michael encounters some bullies who attempt to beat him up. At that moment, Michael's secret is revealed. He can harness electricity and send it out of his hands. This event is witnessed by Taylor, a popular cheerleader. Taylor confronts Michael at school the next day and questions him about what she saw. Taylor, it turns out, also has a secret. In the book, Michael Vey: The Prisoner of Cell 25, Richard Paul Evans, introduces us to a different breed of superheroes...teens with superpowers.
Imagine a future where teens rent their bodies to senior citizens who want to relive the moments of their youth. In Starters by Lissa Price, this is exactly what happens. A genocide spore killed everyone who wasn't vaccinated in time. Left behind are the very young and the very old. Many children are left without parents or caretakers. They must survive in an unfriendly world where they are viewed as unattended minors and are forced to resort to any means possible in order to survive. If a teen agrees to rent out their body to a senior, they are paid a substantial sum of money. It is very enticing to a starving and homeless teenager.
As with my review of Altered Carbon, I've arrived at the Starslip webcomic party a little late, as in, the seven-year series is finished. However, that might add a welcome bittersweet flavor to each strip I read as I come closer and closer to the end. I have fallen head-over-heels in love with all of author Kris Straub’s characters, his artistic style, and his off-kilter sense of humor as he simultaneously pays homage to and lampoons the best and worst traits of sci-fi soap operas. With every click of the forward-pointing arrow I know I am coming to the close of an incredible story, but, like with any good book, I can't stop!