Come join the Rappahannock Film Club and the Central Rappahannock Regional Library as we present Double Indemnity on Saturday, December 4, 2:00 pm at the Headquarters Library.
See paintings by Nancie Harris in the Headquarters Atrium Gallery through November.
Not for sale
Come join the Rappahannock Film Club and the Central Rappahannock Regional Library as we present the 2009 Cannes Official Selection Closing Night film Coco Chanel and Igor Stravinsky on Tuesday, November 2, 7:00 pm at the Headquarters Library.
Reeling from the death of her beau, Coco Chanel meets and falls for the Russian composer in Jan Kounen's sumptuous period drama.
Cary Grant plays a Manhattan advertising executive plunged into a realm of spy (James Mason) and counterspy (Eva Marie Saint) and variously abducted, framed for murder, chased, and in another signature set piece, crop-dusted. The film’s finale places the characters in a desperate life or death situation on top of Mount Rushmore.
Strokes of Brilliance: Dorothy Bourdon, Bev Bley, Penny Hicks, Kay L. Roscoe
The four of us have painted individually for a number of years. We began painting together nearly eight years ago when introduced to a studio and gallery in Richmond, For Arts Sake, owned by internationally known artist Anne Chaddock. Through Anne we have taken painting trips to France, Ireland, and Italy. We have shown as a group at Studio A, Salem Church Library, Keystone Coffee, and Headquarters Library. As individual artists our paintings have been selected for juried shows at FCCA and Liberty Town in Fredericksburg as well as Crossroads Gallery and For Arts Sake in Richmond. We have entered the Fredericksburg Fine Arts Show and King George Art Guild Show.
Artwork on exhibit through October.
Tequila Sunset by Penny Hicks
Come join the Rappahannock Film Club and the Central Rappahannock Regional Library as we present the classic comedy film My Man Godfrey at the Headquarter's Library on Saturday, October 2nd at 2:00 pm.
Film noir is not easily defined. The actual words come from French and mean "black cinema." It was in France during the post-war years that the term was used to describe a certain set of Hollywood films that were saturated with a darkness and cynicism that was not seen before. These movies included The Maltese Falcon (1941), Double Indemnity (1944), Laura (1944), and Murder, My Sweet (1944).