History & Historical Fiction
On a Southern farm during the Civil War, a young girl finds a runaway slave hiding in the family's barn. She is frightened but must make a difficult decision. What does she owe to the runaway with frightened eyes? Unspoken, by Henry Cole, is the story of a choice she makes and the bond that forms between the two of them.
Throughout the book, the reader never sees the runaway slave's face, just an eye peering fearfully from among the stored corn stalks. The girl and the slave never speak. In fact, there are no words in the book. But though all communication is unspoken, the message remains powerful. Detailed graphite drawings convey the tension and emotions, as well as the strong connection that grows between the girl and the runaway.
Intrigue, spying, resistance fighters working behind enemy lines to sabotage the Nazis—Bomb: The Race to Build and Steal the World's Most Dangerous Weapon, by Steve Sheinkin, has it all. The story is true, but it reads like a spy thriller.
In Margaret Peterson Haddix’s Found, Jonah Skidmore feels like an ordinary thirteen-year-old boy. His family consists of a slightly annoying but smart younger sister named Katherine and a mom and dad who love him unconditionally. Jonah is adopted and has known this fact for a while but it’s never been a big deal for him because his parents have always been open about it to him. Life definitely feels normal for Jonah. That is, until the mysterious letter arrives--the letter that contains just six words: YOU ARE ONE OF THE MISSING. The letter does not contain a signature or a return address. Who sent it? Where did it come from? What does it mean?
The Seventeenth Child, by Dorothy Marie Rice & Lucille Mabel Walthall Payne, sets down the memories of a childhood lived in the countryside of 1930s Virginia by a black woman who grew up before the Civil Rights Movement made so many gains. These remembrances are plain, soft-spoken and ring true to an age that was certainly different from the one we know. In some ways, it was a harder time as in her earliest years even basic food was very hard to come by and the sharecropping system made it difficult for all farmers, black and white, to get ahead or even stay afloat during the bad harvest years.
But it was the warmth of family, faith, shared hardship and simple joys that made those days good as well as difficult. The children worked, not only because their help was needed but because it was understood that working was a good thing in and of itself. They helped pull and tend tobacco, can vegetables, sew quilts, raise chickens, and shell corn. Lucille Payne tells of how hard it was to earn money. How sometimes her mother might not be paid much more than fifty cents for a hard day’s washing of filthy clothes in a dark and cold shed. Well, fifty cents and a hambone that might not be fit to eat without it being scrubbed, too, and sometimes not even then. But her mother said, “Well, you accept what they give you; next time it might be better.”
It wasn’t all about acceptance. Sometimes Lucille would see her mother spit in the water while she washed and she would ask her why she did that. “That helps to get them clean.” But I know she was just so angry because she had to survive. When you have so many children you have to survive the best way you can. Likewise, when white children rode the bus to their segregated school, leaving the black children to walk and even calling them names, the black children got a bit of revenge…and a chance to be better than their so-called betters with an act of charity.
“When hunger gnaws inside my belly, I tell myself that a future Pioneer has to repress cravings for such unimportant matters as food. Communism is just over the horizon; soon there will be plenty of food for everyone…I wonder what it’s like in the capitalist countries. I wouldn’t be surprised if children there had never even tasted a carrot.”
More than anything, 10-year-old Sasha Zaichik wants to be a member of the Young Soviet Pioneers in Breaking Stalin’s Nose, by Eugene Yelchin. Sasha can hardly wait for tomorrow’s Pioneer rally, when all of his dreams will be realized. However, as the big day gets close, things go terribly wrong for Sasha. First, his stalwart father is taken away by the State Security in the middle of the night. As Sasha’s mother had died under mysterious circumstances some time before, this leaves Sasha frighteningly alone. He is no longer welcome in the komunalka that he shares with 48 other citizens, so he is put out into deserted and icy streets in the middle of the night.
Settlers started moving west as soon as the land by the eastern rivers was claimed. Wanting the right to expand into more territory was one of the factors in the American Revolution, including anger at the Proclamation of 1763 that restricted further settlement. Indeed, many veterans of the Revolution received land grants in the west for their service. In the late 1700s to the early 1800s, the West could mean Ohio, Kentucky, Tennessee, and parts of Pennsylvania. As those places filled up, too, and immigrants kept on coming, they eventually spread across the plains and into the heartland.
The wolves will not stop chasing Ben through his dreams. They are wild and persistent, leaving paw prints in the snow next to Gunflint Lake, Minnesota: The boy's home.
Jump back fifty years. Rose lives just outside of New York City, where the bright lights and tall towers tempt her to visit--much against her parents’ wishes. Though separated by time, Ben and Rose are both looking for a place where they can belong. Thus begins Wonderstruck.
One hundred and fifty years ago, life was turned upside-down for residents in our communities. Stafford County was occupied by Union troops. Fredericksburg changed hands many times between Union and Confederate and was the scene of one of the bloodiest battles of the Civil War. Spotsylvania County had the battles of Spotsylvania Courthouse, the Wilderness, and Chancellorsville. Thousands of men encamped and fought here. Many died here. Our state—even just our own area--has some of the most fought-over ground in the country.
That every piece
Is a piece of
In faraway times, the artisans of the Southwest peoples smoothed the clay they collected. They painted it with their symbols and heated it to make it strong. When these tribes left their homes, pieces of their past remained behind. When the shards are gathered together, the pictures they make seem to summon the spirits of the people who created them so long ago. When Clay Sings, by Byrd Baylor and illustrated by Tom Bahti, is a melding of archaeology and word craft that brings a unique and subtle sense of the past to today’s students.
Beginning-to-be-eleven-year-old Portia and her little brother Foster are excited to be visiting their relatives in the countryside for the summer in Elizabeth Enright’s Gone-Away Lake. Besides seeing their favorite aunt and uncle, there is Katy the boxer dog who has just had a litter of puppies “with flat faces like pansies, and ears that felt like pieces of silk, and claws like the tips of knitting needles”—but best of all for Portia is having time to hang out with her cousin Julian, he of the hundred-thousand freckles. Closer than a friend and nicer than a brother is how she thinks of him. Julian is interesting and interested in everything that goes on around him.