I only clean my house to loud rock and roll music because a) I know my neighbors love it and b) doesn’t everyone?
“I wouldn’t trust them skinnies with food advice. How do you know they really feel passionately about food? I’ll admit it. I consciously try not to take food advice from thin people.”
Love. Beauty. Lies. High Fashion. All of this and more than you may even imagine burns from the fire that is the novel, Invisible Monsters.
With a mother who tries to be prim and proper and a daddy who dreams big but has sorrowful, often hilarious runs of bad luck trying to make his way in the world, young Daisy Fay—with a chipped front tooth, brave heart, and clever mind—finds the 1950s a spectacularly exciting time to come of age. As in her other best-selling novel, Fried Green Tomatoes at the Whistle Stop Café, Fannie Flagg’s Daisy Fay and the Miracle Man overlays its sometimes somber situations with such absurdities as to have readers laughing out loud.
How can a man maintain stability and order in a city where volatile race relations are about to boil over? In Thud! an installment of Terry Pratchett’s long-running Discworld series, Commander Vimes of the City Watch must deal with the erupting tensions between trolls and dwarves following the unexplained death of Hamcrusher, a high-ranking dwarf. Like most of Pratchett’s entries in this series, the humor in Thud! is self-contained and does not require knowledge of prior novels. It offers a mixture of satire of fantasy tropes with real-world issues and conflicts. Reliant on verbal humor and character development, the book is a good choice for fans of British genre satire such as The Hitchhiker’s Guide to the Galaxy.
Sometimes it takes an alien to tell us humans how to live.
The Vonnadorians are advanced beings who come to our messy, wet planet and think we, The Humans, are inferior. They believe we are not ready for more technological progress so they eliminate Professor Andrew Martin, who has made a breakthrough in mathematics which would change the course of humanity’s future. Naturally, they replace him with an alien look-alike who is ill-prepared for his mission to erase any knowledge of the Cambridge professor’s work--and to destroy anyone who knows about it.
Hyperbole and a Half explores artist Allie Brosh's almighty id with a kind of courageousness usually reserved for walking on hot coals or taunting killer bees. Based on the popular blog of the same name, Brosh's book features anecdotes and musings from her life, complemented by pictures drawn with a basic paint program.
Sheer audacity is one of Brosh's best assets. Her stories are bold examinations of what she fears most in life and how these anxieties form her identity.
Kate Beaton's Hark! A Vagrant is like the funny pages for literature and history majors. Each strip is an exploration of a famous writer, characters from his works, or a notable person from history. Rather than treating these figures with reverence, Beaton usually takes them down a peg or two.
Punk: The Best of Punk Magazine follows the history of New York City's Bowery music scene with actual reprints of the homemade zine's existence from 1976 to 1980. What's captured on these black and white pages is an anti-movement—a reaction against the well-intentioned but ultimately toothless peace and love ethos of the late 60's.
New York was a dump, seemingly destined for ruin. Rock music was gasping for air, trying to find sustenance from the softly vacant likes of Toto, Bread, or Seals and Crofts.
John Holstom and Legs McNeil did not expect things to improve. But when they heard a new band called the Dictators, a change started to manifest. The Dictators wrote songs about hanging out at burger joints, drinking Coca-Cola for breakfast, and being "Teengenerates." It was stupid enough to also be absolutely brilliant, and it encapsulated Holstrom's and McNeil's lives like no other music they were hearing at the time.