How would George Washington behave in New York society in the 1930s? The ladies and gentlemen of post-Depression-Era New York have had to reinvent the old rules of order in Amor Towles’ Rules of Civility. The women are experimenting with new freedoms where they don’t want to figure out how to marry the man with the power and money—they want to be him.
In this story, partly a Sex in the City romp, Katey Kontent, daughter of Russian immigrants, and her friend Eve Ross, who is trying to escape her Midwestern small city blues, make a brand new start of it on New Year’s Eve 1937 in the greatest city in the world. They meet banker Tinker Grey that night. They think he is the “King of the heap/top of the list,” and he has a well-studied copy of Young George Washington’s 110 Rules of Civility & Decent Behaviour in Company and Conversation to guide him. The three form a friendship/love triangle, but Tinker’s secrets will test their loyalty. Katey and Eve are not afraid to meet their futures, but Tinker is stuck in the past.
In its first chapters, Sweet Tooth begins like Dickens’ David Copperfield. Serena Frome (rhymes with Plume) tells of her unremarkable childhood and how she ends up working as a spy for Britain’s MI5. With her blonde and beautiful looks, she is a bit of a Bond Girl and wreaks havoc on the men around her.
A good all-around student, Serena devours novels and wants to do an English degree in a small university, but her housewife mother, in an uncharacteristic fit of feminism, tells her she has a chance of making something of herself by going to Cambridge and doing “maths.”
This is a love story. This is a story about what makes us human. This is a story about reaching for the stars. Lydia Netzer’s poetic narration in Shine Shine Shine transports us to the Moon.
We meet Sunny Mann living in an immaculate Georgian house in a perfectly geometrically gridded neighborhood in Norfolk, Virginia and hosting a get-together with her girlfriends. She is perfectly manicured and coiffed and dressed in cute maternity wear, as she is pregnant with her second child. The ladies gossip about Les Weathers, the perfect news anchor, who lives nearby. The girls chat about Sunny’s brilliant and rich but odd astronaut husband, Maxon, who is on a rocket on the way to colonize the moon. Sunny is embodiment of the well-off suburban stay-at-home mom, including the silver minivan.
Local Fredericksburg author and crafter Jodie Rackley helps you stitch up a smile with her book, Happy Stitch. She stitches her fun designs in her home studio in Fredericksburg, which she shares with her pets, Captain Nibbles and Sleepy Kitty. The 30 charming and colorful felt and fabric projects in her book are uber cute.
Take some time this summer and stitch up a Monster Face Computer Cover or doodle on a denim skirt. If your older children are complaining of boredom, try one of the projects with them; for example, the Anytime Ornaments have simple cutting and stitching instructions that an older child can follow with a little guidance. Her instructions are clear, and she uses simple techniques.
On the surface Gone Girl reads like a whodunit thriller, and it makes a great summer read--but it’s also a literary novel in disguise with its imagery of a landscape of an economic wasteland, the characters’ moral bankruptcy, and its themes of identity and marriage. It’s been the book of the summer for me.
On their fifth anniversary, Nick Dunne comes home, and his wife Amy is gone. The initial crime scene: an open door, the ottoman turned over, broken glass, and the iron left on. Instead of beginning with “boy meets girl,” the plot starts with “boy loses girl.” Detectives arrive and the media circus begins.
Told in alternating he said/she said chapters, we learn the back story of Nick and Amy. Gilliam Flynn throws her readers red herrings with sneaky abandon. I found myself shifting loyalties back and forth from Team Amy to Team Nick and then being horrified and guiltily fascinated with both of them.
No one can see women of a certain age. We--I am of a certain age--are nothing but the ghosts of our former selves. We have a contentious relationship with mirrors just like Snow White’s stepmother. We fight aging with Botox, HRT, calcium, and even anti-depressants. Clover Hobart in Calling Invisible Women has contemplated figurative invisibility, but one fall day she becomes literally invisible.
After thinking she has had a breakdown or a stroke, Clover becomes proactive and explores the possibilities of invisibility. This novel has laugh-out-loud moments, is well-plotted, has great characters, and has thoughtful ideas about women and aging.
This book has a brilliant title: The Sisters Brothers by Patrick deWitt. The oxymoron continues in the characters, the plot and the language—its poetic style contrasts with the violence of the Old West. It’s a Western but with twists on the genre; the novel has brutality mixed with moments of sweetness and humor.
The main characters are killers with bruised pasts: Charlie Sisters is the epitome of Old West: brutal, money-hungry and cold; Eli Sisters, the narrator of the tale, loves to give away his money, has a soft heart for barmaids, and is questioning his profession and his future. Eli loves his poor excuse for a horse, Tub, and embraces dental hygiene!
Gemma Hardy’s story parallels Jane Eyre’s experiences—both have an evil aunt and have to work for their educations at boarding school as charity girls. Both girls are bullied and treated unfairly by family, school staff, and students. Both girls have disappointments with men who have secrets. If you enjoyed Charlotte Bronte’s gothic tales or Daphne Du Maurier’s Rebecca, you will love The Flight of Gemma Hardy by Margot Livesey. Set in the 1950’s and 1960’s in Scotland and Iceland, the author uses the imagery of birds and flight to underscore Gemma’s journey.
The plot and characters in The Family Fang, by Kevin Wilson, are full of surprises. Grown-up siblings Annie and Buster Fang end up back home with their parents when both their lives implode in creative ways. Buster, while writing for a macho magazine, was shot with a potato gun, doing serious injury to his face. Actress Annie shed some extra clothes on a movie set and got blacklisted. Adrift and in need, they naturally return home.
But coming home for them is no staid Norman Rockwell gathering. Annie and Buster Fang grew up being conduits for their parents’ eccentric artistic visions. Chapters describe parents Caleb and Camille Fang’s disturbing performance art events with their children, stage-named Child A and Child B. The elder Fangs tightly tangled their family and their art, and, not surprisingly, the children are “messed up.” Funny, thoughtful and disturbing, this novel tests the boundaries of how most of us define art and family.
I love a Regency Romance with a twist on the tried and true formula. In Loretta Chase’s Silk Is for Seduction the characters are well-drawn with interesting backgrounds and they grow. The plot has fun twists and the dialogue is lively, and, of course, all romances include some sensuous love scenes. But for the hero and heroine, it’s the end of the Regency period--we even see glimpses of the young Princess Victoria--and the modern world is creeping in and old stereotypes are dying.