Animal Wise is a look at the emotions and intelligence of several species of animals: ants, fish, birds, parrots, rats, elephants, dolphins, chimpanzees—and dogs and wolves. Morell interviews the scientists who are doing cutting edge research into the animals’ minds and emotions. If you are an animal lover like I am, you do not need a scientist to tell you that animals have emotions. However, this book rejoices in each species, as the scientists who have devoted their lives to the study of these animals take such pride in their discoveries and have a fascination with the animals that they are researching.
When New York Times reporter Bill Carter recently broke the story that NBC was planning on gently escorting Tonight Show host Jay Leno out the door for a younger, fresher face, it felt a little like déjà vu. That's because the same decision happened about ten years ago.
Carter's definitely the most qualified person to reveal such information. The news made me seek out his book, The Late Shift. The title is a breakthrough account of the shake-up at NBC after Johnny Carson surprisingly announced his plan to retire within a year. The network famously snubbed their Late Night host, David Letterman by hiring Leno, who had been a successful guest host for the legendary Carson.
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One of my favorite customers called me to tell me that he loved the book Until Tuesday. I am sure that this story about a veteran spoke to him since he is also a veteran who happens to love dogs.
Until Tuesday is the true story of a highly-decorated Iraqi war veteran who returns home as a war hero. However, Luis Carlos Montalvan has such incredible injuries to his body and his psyche that he cannot cope with everyday life. He hovers on the brink of suicide until he meets Tuesday, a golden retriever who also had an emotionally difficult journey to get to Luis.
One of the most popular humanitarian nonfiction books of the 2000s was Greg Mortenson’s best seller Three Cups of Tea. Three Cups of Tea was marketed as a call for humanitarian aid to impoverished Central Asian nations such as Pakistan and Afghanistan, but Mortenson’s life story of dedicating himself to providing education to the people of Central Asia was the emotional connection that sold many readers on the book. Mortenson traveled across the U.S., giving lectures, setting up charities to provide money for his Central Asia Institute (CAI), and appearing on numerous talk shows to promote his book. As beautiful as his humanitarian mission seemed, it was ultimately revealed as too good to be true by writer Jon Krakauer, whose expose Three Cups of Deceit explored the lies in Mortenson’s story and the lack of effectiveness in the CAI’s schools program. Although Three Cups of Deceit can be a depressing read at times, it also makes for a fascinating study in media awareness and image manipulation.
Modernized versions of traditional fairy tales have become popular in recent years, with television series such as ABC’s Once Upon a Time and graphic novels such as Bill Willingham’s Fables providing creative and original narratives utilizing characters and concepts from old folk tales. Although popular, these newer variations on older fairy tales have created controversy for altering the traditional characterizations and stories that many people grew up with. This exposes a major flaw in many people’s understanding of fairy tales and traditional folk culture—which versions are the “most correct” version of the story, and why? Maria Tatar’s The Grimm Reader is a collection of many of the traditional fairy tales recorded by the Brothers Grimm, providing an English translation of some of the oldest written versions of these stories. Notable for being far more violent than the “traditional” versions of the fairy tales popularized in the Victorian period (and later, by Disney films), the typical Grimm story is a combination of children in jeopardy, adults that range from neglectful to destructive, and flat narrative that is driven by plot rather than by characterization.
2012 saw the debut of the latest version of Microsoft’s latest operating system, Windows 8. Windows 8 debuted in an unusually tense atmosphere for a Windows device, as “Wintel” (Windows PCs powered by Intel processors) faced unprecedented threats from tablets and smartphones in the marketplace. Windows 8 PCs faced sales declines over the 2012 holiday period, and the changes in the interface of Windows 8 from Windows 7 have been a major cause of concern for many consumers. Questions such as, “How can I find my old files if I upgrade to Windows 8?” and “Will Steam run in Windows 8?” are extremely common. Another common topic for questions is the difference between Windows 8—the operating system for conventional Windows desktop and laptop PCs, and Windows RT—the operating system for Windows tablets. In this article, let’s take a look at how compatibility in Windows 8 works and what the differences between Windows 8 and Windows RT mean.
It’s no secret that the newspaper and magazine industries are under a period of terrible financial stress, as I reported in my article, "Where Have All the Magazines Gone?" Since then, even more magazines and newspapers have ceased publication of their printed format, including Newsweek at the end of 2012. As print magazines and newspapers become less viable, the companies that run them face a vexing choice—rely on Internet advertising on an open site for funding or charge fees for access to a pay wall site that inherently limits the size of their audience. Inspired by the New York Times’ recent implementation of a pay wall, many news magazines are implementing or plan to implement pay walls, including the Washington Post. As consumers, many find the concept of formerly free sites implementing viewing restrictions on content frustrating and counterproductive to their desire to know what’s going on in the world. But does it even benefit the companies themselves in the long run? Financial magazines and Wall Street praise the Times’ pay wall as the future, but the overall history of success for pay wall news sites is considerably less hopeful than it may first appear.
Tom Bissell's Magic Hours: Essays on Creators and Creations represents the best of what an essay collection can offer: incisive observations about a wide range of intriguing topics, intelligent social commentary that refrains from didacticism, and a good sense of comedic timing. Bissell's essays are characterized by impressive eclecticism. He discusses established cultural figures like Ernest Hemingway, David Foster Wallace, and Werner Herzog, as well as less conventional subjects, such as Tommy Wiseau (the auteur responsible for the cult film The Room), the Underground Literary Alliance, and Jennifer Hale, “the Queen of Video-game Voice-over.” While these topics might seem incurably disparate, Bissell's interest in the process and consequences of creation provides a framework which links them together.
Have you ever wanted to become a writer and brave the strange and confusing world of trying to sell your work to the publishing industry? Do you feel you might need a refresher course in creating a marketable thriller or romance novel? If you are curious about improving your writing technique to make your work more compelling, concise, or appealing to publishers, you may benefit from How Not to Write a Novel, a writing guide from Howard Mittlemark and Sandra Newman. This guide is a compilation of examples of common writing mistakes that can make novels confusing, boring, or unappealing to read. Humorous and well-organized, this book is both a great educational resource and a good comedic read.