For someone who loves independent movies, it sure took me a heck of a long time to watch anything directed by John Cassavetes.
Maybe that is because I had heard how emotionally intense his films were, tapping into a vein of real life and forgoing any sense of escapism that most movies offer. Despite that hesitation, I am deeply satisfied that I took the time to watch four great films by this stalwart of early independent film, who took many menial acting jobs so he could make something great.
Shadows, Cassevetes' first film, is a defiant statement against mainstream culture, both in terms of cinema and society. It follows three African American siblings living in New York City, two of whom are trying to pass as white. The film was shot without a script, and its black and white, 16-millimeter film stock lacks the gloss of Hollywood pictures of the same year (North by Northwest or Ben-Hur for example). With its jazz score by Charles Mingus and its focus on urban youth in 1950's, Shadows is a must see for any fans of Beat writers or early independent film.
"What is your greatest ambition in life?"
"To become immortal... and then die."
When I hear the name Terry Gilliam, the first thing that I see is a gigantic pink foot...crushing everything in its path.
That is because Gilliam was the animator for Monty Python's Flying Circus, the absurdist British comedy troupe of the 1970's that has influenced everyone from Neil Gaiman to the Simpsons. The lone American of the group did surreal collages combining Renaissance paintings, nature sketches, and meat grinders to make a strange world.
When Python's reign ended, Gilliam did not stop his creating. Instead, he launched himself from the animation desk to the director's chair where things became curiouser and curiouser.
With the success of the TV series The Walking Dead, zombies are now considered one of the most popular monsters in pop culture. People who just recently became interested in zombie-related works may be surprised to learn how long zombies have existed in the public’s imagination. The following films provide plenty of thrills and chills featuring the undead:
Superman is perhaps the longest lived of the classic Golden Age superhero characters to remain in the public imagination, and, in addition to a 75-year history of comic book publication, the character has also had a long career on the silver screen. Unlike many other superheroes, Superman has an extensive history of being utilized as a film character, and his film appearances have influenced his portrayal in comic books in many fascinating ways.
During the summer’s excitement over the massive, new blockbusters, many older and more unusual films are neglected and ignored. These older monster films, though they lack the digital effects and huge budgets of more modern releases, are classics of their genre, with clever performances and intriguing plots. One day this summer, you may feel compelled to take a trip back in time and see some of these legendary movies for yourself.
Taking Victor Hugo's novel, Les Misérables, and transforming it first into a play and then into a movie is like selecting from among the finest of crown jewels and crafting them into a beautiful brooch. Having seen the stage play many years ago and having read the book many, many years ago, I found the movie eminently satisfying, indeed beautifully done.
I had misgivings. They had, I thought, studded it with Hollywood stars just to draw the audiences. Nevertheless, it is very well cast. It was some time before I recognized Hugh Jackman since his first appearance was as the imprisoned Jean Valjean with grubby face and closely-cropped hair. It was not until he emerged as the respectable Mayor and beneficent factory owner that he was easily recognizable. Valjean's crimes had been the stealing of a loaf of bread and the subsequent breaking of his parole for which he is relentlessly pursued by the dogged Inspector Javert, played by Russell Crowe.
It has been over a decade since the first of Peter Jackson’s Lord of the Rings adaptations, The Fellowship of the Ring, was released. This film was greeted with both critical and audience acclaim upon its debut, and became a definitive cinematic event of the early 21st Century. On December 14, 2012, Jackson’s long-awaited adaptation of the prequel to The Lord of the Rings, The Hobbit, will be released. Jackson’s films have become regarded as classics to the point that many fans may become unhappy with anyone other than Peter Jackson making a cinematic Tolkien adaptation, and it may come as a surprise to them that some film adaptations of Tolkien’s mythic cycle had already been made prior to Jackson’s! While waiting for the release of the first film in Jackson’s Hobbit adaptation, let’s take a look back at some prior cinematic versions of Tolkien’s works, and at Jackson’s Lord of the Rings trilogy.
Imitation is the sincerest form of flattery. Isn’t that how an article about derivative works is supposed to begin? We only ask because there are probably other articles out there on this topic that begin the same way. Whether or not we admit it to ourselves, 100% true originality in the case of media like books, film, music and games is practically unheard of. That’s not a bad thing; works that build on one another can be some of the richest experiences imaginable. On the other hand, some people are just lazy and rip-off other, greater works.
When David Gilmour's son decided to drop out of high school, his father could have screamed at the top of his lungs about ruining one's future and the misery of being a lifelong freeloader. Instead he created The Film Club.
Fifteen-year-old Jesse could leave school under a couple of conditions. One: he had to avoid getting involved with drugs. Two: he had to watch three movies a week with his father, a former film critic. Dad picked the films, and all Jesse had to do was pay attention. What followed is one of the riskiest experiments in alternative education I have ever seen. Was David 100% sure this was an ideal solution? Heck no, but he thought it was worth a try.