Taking Victor Hugo's novel, Les Misérables, and transforming it first into a play and then into a movie is like selecting from among the finest of crown jewels and crafting them into a beautiful brooch. Having seen the stage play many years ago and having read the book many, many years ago, I found the movie eminently satisfying, indeed beautifully done.
I had misgivings. They had, I thought, studded it with Hollywood stars just to draw the audiences. Nevertheless, it is very well cast. It was some time before I recognized Hugh Jackman since his first appearance was as the imprisoned Jean Valjean with grubby face and closely-cropped hair. It was not until he emerged as the respectable Mayor and beneficent factory owner that he was easily recognizable. Valjean's crimes had been the stealing of a loaf of bread and the subsequent breaking of his parole for which he is relentlessly pursued by the dogged Inspector Javert, played by Russell Crowe.
It has been over a decade since the first of Peter Jackson’s Lord of the Rings adaptations, The Fellowship of the Ring, was released. This film was greeted with both critical and audience acclaim upon its debut, and became a definitive cinematic event of the early 21st Century. On December 14, 2012, Jackson’s long-awaited adaptation of the prequel to The Lord of the Rings, The Hobbit, will be released. Jackson’s films have become regarded as classics to the point that many fans may become unhappy with anyone other than Peter Jackson making a cinematic Tolkien adaptation, and it may come as a surprise to them that some film adaptations of Tolkien’s mythic cycle had already been made prior to Jackson’s! While waiting for the release of the first film in Jackson’s Hobbit adaptation, let’s take a look back at some prior cinematic versions of Tolkien’s works, and at Jackson’s Lord of the Rings trilogy.
Imitation is the sincerest form of flattery. Isn’t that how an article about derivative works is supposed to begin? We only ask because there are probably other articles out there on this topic that begin the same way. Whether or not we admit it to ourselves, 100% true originality in the case of media like books, film, music and games is practically unheard of. That’s not a bad thing; works that build on one another can be some of the richest experiences imaginable. On the other hand, some people are just lazy and rip-off other, greater works.
When David Gilmour's son decided to drop out of high school, his father could have screamed at the top of his lungs about ruining one's future and the misery of being a lifelong freeloader. Instead he created The Film Club.
Fifteen-year-old Jesse could leave school under a couple of conditions. One: he had to avoid getting involved with drugs. Two: he had to watch three movies a week with his father, a former film critic. Dad picked the films, and all Jesse had to do was pay attention. What followed is one of the riskiest experiments in alternative education I have ever seen. Was David 100% sure this was an ideal solution? Heck no, but he thought it was worth a try.
Having been around ever since Dr. No was released in 1962, the James Bond series is one of the oldest film franchises that has continued to the present day. Over its 50-year history, the Bond films have seen six different actors play 007 and have had many stylistic changes over time to adapt to changing tastes. With the long-awaited release of a new Bond movie, Skyfall, this month, let’s go back and take a look at some pivotal points in the history of the series.
Leave it to Cory Doctorow, author, blogger, and technology activist-extraordinaire, to weave a story that successfully blends coming-of-age woes, homelessness, national politics, copyright law, cooking, gadgetry, love, overcoming homophobia, civil disobedience, film-making, mashups, public speaking, the judicial system, beer and coffee brewing, cryptography, and oh so, so much more into a wonderfully geeky, heart-wrenching, page-turning bang-up novel that people of all ages should read. This book is full of such big, exquisite ideas to learn about that you’ll be Googling your fingers off through the entire story and I mean that in the best way possible. You will learn reading Pirate Cinema and you will love this as much as you love the characters.
In 1950, in South Korea, shoe-shiner Jin-tae Lee and his 18-year-old old student brother, Jin-seok Lee, form a poor but happy family with their mother, Jin-tae's fiancé Young-shin Kim, and her young sisters. Jin-tae and his mother are tough workers, who sacrifice themselves to send Jin-seok to the university. When North Korea invades the South, the family escapes to a relative's house in the country, but along their journey, Jin-seok is forced to join the army to fight in the front, and Jin-tae enlists too to protect his young brother. The commander promises Jin-tae that if he gets a medal he would release his brother, and Jin-tae becomes the braver soldier in the company. Along the bloody war between brothers, the relationship of Jin-seok with his older brother deteriorates leading to a dramatic and tragic end. (From the Internet Movie Database)
In mediaeval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression. (From the Internet Movie Database)
Red Sorghum(1987) stars Li Gong, Wen Jiang and Rujun Ten:
An old leper who owned a remote sorghum winery dies. Jiu'er, the wife bought by the leper, and her lover, identified only as "my Grandpa" by the narrator, take over the winery and set up an idealized quasi-matriarchal community headed by Jiu'er. When the Japanese invaders subject the area to their rule and cut down the sorghum to make way for a road, the community rises up and resists as the sorghum grows anew. (From the Internet Movie Database)