Troy Billings is about to kill himself. At 296 pounds, he's tired of being a joke. Every aspect of his life, the way he looks, moves, even the way he breathes, has become a punchline for his peers. If Troy had his way, Fat Kid Rules the World would be a pretty short read. Thank goodness Curt MacCrea enters the picture.
If King Dork's cover seems vaguely familiar, that's because it looks like a defaced copy of The Catcher in the Rye. The title and its author Frank Portman are scrawled in ballpoint pen with a blatant disregard for the granddaddy of all coming-of-age novels.
This sums up how Tom Henderson feels about Salinger's classic novel. He notices a Catcher cult amongst most adults, who sing the praises of the book changing their lives. Tom thinks all of this is, to borrow a phrase from Holden Caulfield, "phony," but a particular copy of the book is about to turn his world upside down and inside out.
There was once a time when you couldn’t fit every song that ever existed into a small metal box and put it in your pocket. I know that might sound horrible, but it’s true. Before iPods, CDs, and cassettes, there was vinyl. Back then, you could run your fingers along the grooves of a recording and actually feel the music that would soon be blasting through your speakers. I’m not necessarily saying it was better…just different.
Sammy Bojar plays guitar in Tragedy of Wisdom with a frightening and talentless lead singer (guess which member chose the name). Most of their practices end in a ragin' tantrum. It looks like a dead-end situation for Sammy and his crew, until a battle of the bands competition gives them a possible chance to record a song for radio play. As Sammy struggles to gain control of his songwriting career, he is helped by his paranoid jazz pianist grandfather and his old best friend/new girlfriend, Jen5.