A young girl and her cat enter a dark, old, ramshackle house. Ghosts are waiting for her there. As she opens the door they all fly out. This is where the fun begins in Kazuno Kohara’s Ghosts in the House!
A recently published New York Times article, “Picture Books No Longer a Staple for Children,” is causing an uproar in the children’s book world. According to reporter Julie Bosman, booksellers are selling fewer picture books than ever, and not just because of the economic downturn. “Parents have begun pressing their kindergartners and first graders to leave the picture book behind and move on to more text-heavy chapter books,” she reports. One bookseller noted that parents are now buying their four-year-olds “Stuart Little” while classic picture books languish on the shelf.
In Peter McCarty's Henry in Love, magic can be found in the simplest pleasures of an ordinary school day. The main character gets ready for school and decides that this is the day that he is going to talk to the loveliest girl in the class. Perfect cartwheels, games of tag, and the sharing of afternoon snacks follow.
The look of McCarty's characters is quite special. The illustrations are reminiscent of two children's classics. Henry and his classmates, all animals, recall the characters from Rosemary Wells' Max and Ruby books, but with smaller eyes and a less cartoony demeanor. They look sweet without treading into cutesy territory. The wide margins and very selective use of color reminds one of Ian Falconer's Olivia books.
Milo was bored. So very bored by school, by books, and by toys that when he found a package marked "One Genuine Turnpike Tollbooth" he figured he couldn't possibly get any more bored by looking at it. So he opened it, set it up, climbed into his electric car and sped off for adventures in Dictionopolis, the land of words, and Digitopolis, the land of numbers. Accompanied by the faithful watchdog Tock, he faces the raucous Dischord & Dynne, the Terrible Trivium, and many other odd and wonderful creatures.