Picture Books

Jeremy Draws a Monster by Peter McCarty

Jeremy Draws a Monster by Peter McCarty

Jeremy Draws a Monster never gets too scary. The beast in question has some horns and is a bit of a snaggletooth, but his eyes are too tiny to be that threatening. Still, this monster is this one rude dude. Jeremy seemed to just want a friend to play with. He stays inside while other children play soccer. So he takes a fancy pen and draws this creature creation.

I Want My Hat Back by Jon Klassen

I Want My Hat Back by Jon Klassen

Bears have much in common with people. We're both mammals. We're both omnivores. We are protective of our young. Also, if a bear happens to lose something very important, they will search for it. Especially if that something is their hat.

I Want My Hat Back by Jon Klassen is a clear-cut observation of a bear in his natural habitat, asking other animals if they have seen his missing prized possession.

What that description did not tell you is how unbelievably charming and oddball Klassen has made this story. Bear, standing upright, interrogates a different animal. Nearly every conversation is alike. No one has seen his hat and bear retorts, "OK. Thank you anyway." before he goes on to the next creature. The whole thing reads like a classic comedy bit.

Papa and Me by Arthur Dorros

Papa and Me

"Crossing the street Papa says 'La mano' and he takes my hand." The love between a father and his son is apparent in Papa and Me by Arthur Dorros. The strong bond between them leaps from the colorfully illustrated pages of this book. As they begin their morning and make breakfast together and head to the bus, they revel in the joy of a simple day.

While making breakfast together, they invent a "special food." "Sabroso" they declare, delicious, as they taste the eggs and pancakes. The book uses both English and Spanish to tell the simple story. The characters are happy and they move between English and Spanish effortlessly. 

The Pirate of Kindergarten by George Ella Lyon

The Pirate of Kindergarten by George Ella Lyon

When my son was in kindergarten, he was diagnosed with a "lazy eye."  I do not know if that is still the appropriate term to use, but the result was that he had to wear a patch over one eye (the stronger one) to force the other eye to work harder and to strengthen.  In the book The Pirate of Kindergarten, by George Ella Lyon, the main character, Ginny, receives a similar diagnosis when she does not pass a routine vision screening at school.  Ginny has difficulty seeing.  She runs into things in the classroom, and some of her classmates laugh at her.  Ginny loves reading but when she reads she has trouble seeing the letters, and she has to get very close to the page.  The imagery of the letters hopping "around like popcorn" and the number 2 looking more like a swan help bring the reader into Ginny's world.

I'd Really Like to Eat a Child by Sylviane Donnio and illustrated by Dorothee de Monfreid

I'd Really Like to Eat a Child by Sylviane Donnio

If only I had read I'd Really Like to Eat a Child when I was small, life would have been so much easier.

This is not because I fell victim to some carnivorous beastie that could only be satisfied with devouring yours truly--though once I was surrounded by a ferocious herd of petting-zoo goats. Rather, I might have understood the importance of eating whatever my parents told me to.

I am a former picky eater. Fruits and vegetables were not my bag, and hot dogs reigned supreme. One time I even threw a stuffed pepper out the window. Fortunately, time has passed, and I began to appreciate the foods that I once avoided. But I know how the little crocodile Achilles feels when he rejects his parents' meal of freshly-picked bananas. "Today, I'd really like to eat a child."

Chloe and the Lion by Mac Barnett and illustrated by Adam Rex

Chloe and the Lion by Mac Barnett and illustrated by Adam Rex

Chloe and the Lion is not about a young girl facing off with a ferocious feline, no matter what the title says. Sure, Chloe's present, saving up her nickels and dimes to ride the merry-go-round. She does, in fact, spin around that ride so many times that she gets dizzy and lost in the nearby woods. It is at that very point that Chloe should meet a lion. Instead, a large, ferocious, winged, burgundy dragon steps out.

Writing a picture book is hard work. You must have a solid story, likable characters, and the right choice of words. What's more, this delicate balance can be completely thrown out of whack by a maverick illustrator who thinks that "a dragon would be cooler."

Over in the Ocean: In a Coral Reef by Marianne Berkes, illustrated by Jeanette Canyon

Over in the Ocean: In a Coral Reef by Marianne Berkes, illustrated by Jeanette C

Over in the ocean

Far away from the sun

Lived a mother octopus

And her octopus one

In Over in the Ocean: In a Coral Reef, Marianne Berkes adapts the classic song, “Over in the Meadow,” to life in a coral reef. This counting rhyme explores ocean life from stingrays to puffer fish to seahorses. This engaging picture book invites interaction on many levels. The fun counting song includes many factual details about the coral reef habitat and the animals that live there with their babies. Whether they are squirting, puffing, jumping or skittering, the actions of each creature accurately reflects their real-life behavior.

Balloons Over Broadway: The True Story of the Puppeteer of Macy’s Parade by Melissa Sweet

Balloons Over Broadway: The True Story of the Puppeteer of Macy’s Parade by Meli

Some of my fondest memories from holidays in my childhood are of watching the Macy’s Thanksgiving Day parade on television. The magic of the parade with its wonderful balloons signaled the beginning of one of my favorite times of year. But I never gave much thought to the history of the parade and its famous balloons. When I saw the book Balloons Over Broadway: The True Story of the Puppeteer of Macy’s Parade, by Melissa Sweet, I couldn’t resist the chance to meet the man behind the magic.

The Princess and the Packet of Frozen Peas by Tony Wilson and illustrated by Sue deGennaro

The Princess and the Packet of Frozen Peas by Tony Wilson and illustrated by Sue

So, we all know the fairy tale of the Princess and the Pea, right? She shows up at a castle late one night in the middle of a snowstorm. The prince falls in love with her beauty (evident even under the wet, bedraggled appearance), but the king and queen want to make sure she is a real princess. So, they put a single pea under a pile of 20 feather mattresses and wait to see if she notices. And, sure enough, the real princess emerges in the morning bruised and sore from the tiny pea. The prince and princess get married and live happily ever after. Except...well, did you ever think what it would be like to live with someone like that? Someone who couldn’t even stand a pea under her mattress? What about when she was hot? Disappointed? Challenged by some problem?

The Princess and the Packet of Frozen Peas, by Tony Wilson, takes the traditional Hans Christian Andersen fairy tale and stands it on its head. Prince Henrik doesn’t like the idea of marrying a princess who is sensitive. His brother is married to a very real, very high-maintenance princess who complains day and night about things that don’t suit her. Frankly, it’s a drag being around her, let alone married to her.

Leo Lionni

Leo Lionni was born into a family that appreciated art, and, from a very young age, he knew he wanted to be an artist. He loved nature and started keeping small creatures--minnows, birds, fish, and more--in his attic room in Amsterdam. He also created terrariums, and many of these natural details found their way into his later work.  Like so many successful children’s authors, Leo Lionni was able to remember and tap into the things that were important to him when he was a child.

As his interest in drawing grew, he was mentored by his Uncle Piet, who was both an architect and an artist. Leo was very lucky to live just a few blocks from two wonderful museums. Further, as a child he had a special pass so he could go there to draw whenever he wished. He learned to draw details from great works--plaster casts of famous statues, and they made such an impression on him that many decades later he could still remember them perfectly, as he could with clarity recall so much about his tiny pets and naturescapes.