Why We Broke Up is by Daniel Handler and features art by Maira Kalman, and both elements elevate it above your average high school romance novel.
Min has just left a box on Ed's doorstep. The box contains the pieces of evidence of their brief relationship, as well as letters explaining each piece's importance.
For the past two decades, Martin McDonagh has established himself as a sensational writer of emotional disturbance and darkly funny exchanges in his Irish-set plays and crime-focused films. He may not be a household name, but that name already has an Academy Award and several Tony nominations under its belt. We have a number of his works in the collection worth recommending.
Written in the mid-Nineties, The Beauty Queen of Leenane and Other Plays offers a trilogy of stories centered around the same town and immediately shows McDonagh's gifts for cleverly inane banter and simmering tensions.
Theodora is an Odd Duck, but she doesn't realize it yet. She does all the normal chores that ducks do: swimming; buying mango salsa; and checking out library books. She knows what she wants in life, preferring to stay home in the winter with a nice cup of tea while all of the other ducks fly south.
Jim Henson: The Biography approaches the man through his work. This makes sense since, as he was the artist who redefined puppetry, Henson created and entertained almost non-stop for four decades.
The Day the Crayons Quit is a most imaginative book in terms of its story and its artwork. One day while looking in his crayon box, Duncan finds a stack of scrawled messages instead of crayons.
One by one we read each color's reason for going on strike, written in its color. Red feels totally overworked. Purple is tired of contributing to messy pictures. Yellow and Orange cannot agree on who deserves to be the color of the sun. This is a young artist's worst nightmare.
We are all about lifelong learning at the Central Rappahannock Regional Library, and we hope that you are, too. Whether it is through our collection or our classes and events, we offer ways to educate for so many different types of learners. I learn best by listening, so one of my favorite methods of acquiring new information is though our Modern Scholar audio courses.
Hawkeye: My Life as a Weapon doesn't have the slick visuals or bright colors that you would normally imagine a member of the Avengers getting. Nor does it offer a conventional superhero storyline. Clint Barton, a master archer, was created by Stan Lee in 1964. Writer Matt Fraction is breathing life into him by contrasting him with all of those other super-powered heroes.
If I Ever Get Out of Here centers around Lewis Blake, a Native American teenager in a gifted junior high program. Lewis might be academically successful, but he has no friends. All his white classmates don't have much to say to Lewis, and all of the kids from the reservation are just in the regular classes.
It is 1976, and living outside of Buffalo, New York, Lewis wonders if the area's teachers are going to be surprised when they find that the Native American kids are not that excited about the country's Bicentennial celebration. His family has called this land "home" for much longer than a mere two hundred years.
Michael K. already has a few strikes against him. He's a new kid at a new school in a new town, but did he really have to get stuck sitting next to the two weirdest kids in the classroom? The girl, Jennifer, is halfway through eating her pencil when the boy, Bob, tells Michael that the two of them aren't human. They are Spaceheadz.
Bob, Jennifer, and the hamster, Major Fluffy, are on an intergalatic mission to save Earth. They must do this by recruiting 3.14 million Earthlings as Spaceheadz, and they think Michael K. is the person to help them get the job done.
Joel and Ethan Coen might be the two finest filmmakers working in America today. There are few directors who have captured more entertaining, accurate, or varied instances of the American experience.
Nearly all of their films center around some sort of crime or illicit behavior. Sometimes the protagonist is the perpetrator. Other times he is a victim or an unwitting bystander sucked into the chaos. Almost always though, the protagonist is a fool.