A lot of writers for teens have excellent memories for very painful things. Some remember what it was like to be a targeted teen--the dread of going to school every day knowing what would probably happen, whether it was going to happen in a hallway, a locker room, a classroom, or on a school bus. Being pulled apart emotionally and humiliated was often just an everyday occurrence for them. The usual.
But some writers remember high school very differently. They were the people who just stood to one side AND DIDN’T DO ANYTHING while watching their friends and classmates being bullied. And in a few, a very few, cases they did the bullying themselves. Dear Bully is a collection of reflections of writers for teens who share their true stories of hurt and regret and how these experiences changed them.
Everybody knows that rabbits love carrots. Jasper Rabbit, in Creepy Carrots by Aaron Reynolds, is no exception. Jasper especially loves the carrots that grow in Crackenhopper Field. The problem is that Jasper can't get enough carrots, yanking and ripping them from the ground every chance he gets. That is, he did until the carrots started following him. Jasper is convinced that the carrots are creeping up on him.
Girlchild by Tupelo Hassman is the story of Rory Dawn Hendrix, a girl growing up on the Calle de las Flores, a trailer park on the outskirts of Reno, Nevada. The Calle is a neighborhood where people live from government check to government check. It is a place where a mother must take the night and weekend shifts because the tips are better and they need the money to survive, even though there is no such thing as reliable child care. It is a world where a mother's determination to spare her daughter the abuse she suffered as a child isn't enough to give her the skills to identify the true risks to that girlchild.
Modernized versions of traditional fairy tales have become popular in recent years, with television series such as ABC’s Once Upon a Time and graphic novels such as Bill Willingham’s Fables providing creative and original narratives utilizing characters and concepts from old folk tales. Although popular, these newer variations on older fairy tales have created controversy for altering the traditional characterizations and stories that many people grew up with. This exposes a major flaw in many people’s understanding of fairy tales and traditional folk culture—which versions are the “most correct” version of the story, and why? Maria Tatar’s The Grimm Reader is a collection of many of the traditional fairy tales recorded by the Brothers Grimm, providing an English translation of some of the oldest written versions of these stories. Notable for being far more violent than the “traditional” versions of the fairy tales popularized in the Victorian period (and later, by Disney films), the typical Grimm story is a combination of children in jeopardy, adults that range from neglectful to destructive, and flat narrative that is driven by plot rather than by characterization.
Microsoft Office maybe the go-to suite for businessy type things, but goodness gracious, it is expensive! And copy-protected! A single-PC license for the most stripped-down version of Office, the Home & Student edition which includes Word, Excel, PowerPoint, and OneNote, runs $139.99. That’s for ONE PC and lord help you if you need to reinstall it at any point - you’ll likely end up on the line with Microsoft tech support trying to re-activate your legitimately-purchased software. You’ve also got the option of paying $400 (or as I like to call it, my grocery budget) for the full Office experience with all its bells and whistles . . . again, for one PC. Please. Have some free software, on me!
My favorite book when I was in high school was I Heard the Owl Call my Name, by Margaret Craven, so I decided to reread it to see how I related to the book now. Even though it is almost 50 years old, the book is still just as timely and beautifully-written as it was in the 60’s. Perhaps its message is even more important in today’s world. It is about a young Vicar, Mark Brian, who has been diagnosed with only a few years to live. His Bishop has been told his diagnosis, but the Vicar has not.
When the Bishop learns of the young Vicar’s diagnosis he says, “So short a time to learn so much? It leaves me with no choice. I shall send him to my hardest parish. I shall send him to Kingcome on patrol of the Indian Villages.”
On a Southern farm during the Civil War, a young girl finds a runaway slave hiding in the family's barn. She is frightened but must make a difficult decision. What does she owe to the runaway with frightened eyes? Unspoken, by Henry Cole, is the story of a choice she makes and the bond that forms between the two of them.
Throughout the book, the reader never sees the runaway slave's face, just an eye peering fearfully from among the stored corn stalks. The girl and the slave never speak. In fact, there are no words in the book. But though all communication is unspoken, the message remains powerful. Detailed graphite drawings convey the tension and emotions, as well as the strong connection that grows between the girl and the runaway.
In Steven Saylor’s debut hard-boiled historical mystery, Roman Blood, Gordianus the Finder is an intrepid soul, living in a seedy section of long-ago Rome. All roads lead here and all the up-and-coming politicians--along with displaced, often enslaved people from war-torn lands--make for a sea of trouble in an atmosphere that is by turns torrid, glittering, and dangerous.
From 2000-2003 I was a creative writing major at the University of Illinois at Urbana-Champaign, a university most well-known for its schools of engineering and computer science. Guess I could have thought that decision through a little better, but I’m glad I didn’t. I even lived in a private dorm adjacent to the engineering campus, Hendrick House, surrounded by some of the strangest, most intelligent and most wonderful people I’ve ever known, almost all of them engineers. When I arrived at UIUC, I knew the bare bones of computering—how to type, how to use a Web browser, how to use a word processor, and play a few games, but not much else. However, over the course of three years living with these technological elite, I picked up more than a few tricks not only about using computers, but about how to fearlessly teach myself more. And now I pass that on to you.
Attaining fearlessness in the face of learning more about the computer lies in the art of reversibility. The most common fear my students express is that they will press the wrong keys or click the wrong thingies and destroy their computers. I try to assure them this is highly unlikely, but that discomfort still remains. Certainly I felt that way 10 years ago. I discovered over time that there are particular steps you need to take to ensure that, if the worst happens and your computer stops working, you can back out of your mistake or recover your computer. With the following steps accomplished, you’ll find that you feel much less hesitant about stepping outside your comfort zone.
What was it that defined the 1960s and made it one of the most important decades of the 20th century? This question is often asked, even by those who lived through its tumultuous events. Many classic novels portrayed and influenced the counterculture of the 1960s, including Hunter S. Thompson’s Fear and Loathing in Las Vegas, J.D. Salinger’s The Catcher in the Rye, and Ken Kesey’s One Flew Over the Cuckoo’s Nest. Another classic novel indelibly linked the culture of the 1960s was The Crying of Lot 49, one of Thomas Pynchon’s earliest works. Supposedly the story of a woman seeking to sort out the estate of her dead boyfriend’s will, The Crying of Lot 49 is a kaleidoscopic narrative that ventures through centuries-spanning conspiracies, bizarre characters, and an American rock band desperately pretending to be part of the British Invasion. One of Pynchon’s earliest and shortest novels, The Crying of Lot 49 is a surreal whirlwind of 1960s literature.