By the mid-1800s, American middle class women frequently turned to Godey’s Lady’s Book for household advice, sewing patterns, and recipes. Although founded by Louis Godey, from 1837 to 1877, it was led by Editor Sarah Josepha Hale and under her leadership, circulation rose dramatically. In Civil War Recipes, Lily May and John Spaulding have done a very nice job of selecting recipes from the first part of the 1860s run of the magazine and presenting them along with enough culinary history to make for an interesting read.
"Don't you love it, Mother? We can shut our eyes and pretend we live in a candy house. All candy. Everywhere."
The Ugly One in The Magic Circle by Donna Jo Napoli remembered how her child loved sweets. Asa was beautiful, and her mother tried to give her all the beauty she could though they were poor.
She worked as a midwife in the village where she was accepted for her healing gifts. She took simple things in exchange for her services: some food, a bit of wool, or perhaps a lovely ribbon for Asa's hair.
The hunchbacked woman was simply good, happy knowing that her talents were used to help others. Yet her neighbor Bala knew they would be rich if she could persuade the Ugly One to drive the demons from the burgermeister's son. The Ugly One protested. She was a midwife, an herbal healer sometimes, nothing more than God wished her to be. But when she saw the boy, yellowed and dying from a tormenting demon, she believed that God had given her another path.
Military science fiction has been a major part of the science fiction genre since the publication of Robert A. Heinlein’s classic Starship Troopers in 1959. For the most part, military science fiction is not thought of as humorous, but one exception to this rule is Harry Harrison’s hilarious satirical novel Bill the Galactic Hero. The story of a cowardly, naïve, and none-too-bright young man who becomes an unwitting enlistee in a deadly, galaxy-spanning war, Harrison’s novel is filled with deadpan humor, bizarre situations, and satire of the conventions of military science fiction.
Tech is moving faster than ever and what we might still consider novel is, in fact, quite dated. Do you realize that the iPhone and iPad mobile iOS operating system is close to six years old? And Google’s Android is not much younger than that. While both companies continue to innovate marginally, it’s safe to say we know roughly what to expect from both platforms, being as entrenched as they are. Is the mobile market then ready for fresh competition or are newcomers (and a couple of “oldcomers”) just a flash in the pan against Apple and Google?
Intrigue, spying, resistance fighters working behind enemy lines to sabotage the Nazis—Bomb: The Race to Build and Steal the World's Most Dangerous Weapon, by Steve Sheinkin, has it all. The story is true, but it reads like a spy thriller.
The Kindle Fire HD really is a fine piece of mobile computing hardware. Everything from the high-definition screen to the staggering Dolby audio fidelity to the grip of the device has been well thought-out. It’s designed with media consumption in mind, with access not only to Amazon’s vast library of ebooks, music, movies, and TV, but also to Netflix, Hulu Plus, Crackle, and more. And it’s cheap too, starting at $200 for a 16GB wifi variety. It's a shame then that such a great device is paired with Amazon’s App Store, whose offerings are laughably, pitifully lacking when compared to the Google Play store. What’s worse, you can’t put the Google Play store on the device without some serious Android hacking chops and voiding the warranty in the process. But, if you or a friend own another Android device with access to the Google Play store, like an Android smartphone, there is a way around this!
The University of Mary Washington's 2013 Chappell Great Lives Lecture Series continues on Thursday, February 21, with a lecture on Arthur Ashe by Arnold Rampersad, co-author (with Ashe) of Days of Grace: A Memoir:
Short stories are a tricky business. When done well, just a few pages of text can offer a tantalizing glimpse of another world, or immerse you in a scenario so familiar it feels claustrophobic. Creating a brief narrative that contains depth and nuance is a significant accomplishment. I’d venture to guess that only a few writers have managed to master the craft. For several years, my dependable favorites have been Ray Bradbury, Raymond Carver, Miranda July, Flannery O’Connor, and Etgar Keret. Since reading Smoke and Mirrors, this list now includes Neil Gaiman.
Smoke and Mirrors brings together a wide variety of Gaiman’s short pieces. In the introduction, Gaiman writes that “Stories are, in one way or another, mirrors. We use them to explain to ourselves how the world works or how it doesn’t work. Like mirrors, stories prepare us for the day to come. They distract us from the things in the darkness.” I’d like to think that most of Gaiman’s stories live up to such lofty ambitions.
How would George Washington behave in New York society in the 1930s? The ladies and gentlemen of post-Depression-Era New York have had to reinvent the old rules of order in Amor Towles’ Rules of Civility. The women are experimenting with new freedoms where they don’t want to figure out how to marry the man with the power and money—they want to be him.
In this story, partly a Sex in the City romp, Katey Kontent, daughter of Russian immigrants, and her friend Eve Ross, who is trying to escape her Midwestern small city blues, make a brand new start of it on New Year’s Eve 1937 in the greatest city in the world. They meet banker Tinker Grey that night. They think he is the “King of the heap/top of the list,” and he has a well-studied copy of Young George Washington’s 110 Rules of Civility & Decent Behaviour in Company and Conversation to guide him. The three form a friendship/love triangle, but Tinker’s secrets will test their loyalty. Katey and Eve are not afraid to meet their futures, but Tinker is stuck in the past.
"In Darkness I count my blessings like Manman taught me.
One: I am alive,
Two: there is no two."
In Darkness, by Nick Lake, is set in Haiti immediately after the devastating earthquake of 2010. It is the story of Shorty, a boy who has grown up in a violent slum of Port-au-Prince called The Site. But Shorty's life is somehow interwoven with the spirit of Touissant l'Ouverture, visionary leader of Haiti's slave revolution of 1791 to 1803.