Peter Dickinson’s The Tears of the Salamander begins with a simple gift and ends with a magical legacy. When his seldom-seen, rich Uncle Giorgio gives young Alfredo a strange present on his name day, his parents aren’t sure they want him to have it. The golden chain doesn’t have the expected cross on it—from it dangles the golden image of a strange animal—a little lizard with splayed feet and other peculiar features. Alfredo’s older brother is very jealous. He sees nothing special in Alfredo. Sure, he can sing like an angel, but that’s not much use to a baker’s boy, is it?
The local priests see Alfredo’s gift differently. They want him in their boys’ choir, and he is happy to be there for he loves to sing—but he also loves baking and hopes to follow his father into the trade. When catastrophe strikes leaving Alfredo alone and friendless, the priests urge him to join the choir permanently, and he would have done so even though it would have meant giving up a normal life. But just at the crucial moment, his Uncle Giorgio comes to take him away to reclaim his birthright—the birthright his father refused by choosing instead to become a simple village baker.
There's a lot more to Happy Birthday, Monster! than just monsters. Sure, there is a mummy, a skeleton, a vampire, and a ghost involved, but there's an alien and a robot too. That is not a problem. Diversity is great, especially when dealing with guys and gals like these.
This bunch is just looking to have a good time at their friend Doris' (a lizard creature of sorts) birthday. Devilish Ben is throwing the bash, and early on we see him brushing and flossing his teeth... and then brushing and flossing his horns.
The fun of Scott Beck's book is seeing how each of these very different characters interact with each other. The book explores what happens when the ghost slow dances ("You're very light on your feet.") or when the robot falls in love with an ordinary houselamp.
Recently, I found myself running around a hotel and trying to hide so that I could just finish my book and no one would see me crying. Last week my son got married, and even though I am not very emotional my family kept saying “You are going to cry when he gets married. I know you will.” I kept saying, “I am not. I am going to remain calm and collected.” When a friend called to recommend a book, “A Kiss Before the Apocalypse,” I decided to take it with me to the wedding. It is about an angel, Remiel or Remy Chandler who decides to come to earth along with a few other angels to pretend to be one of God’s most beloved creations – Man.
However, while he is here he falls in love with a woman named Madeline and they marry. Since angels do not age and humans do, the book begins with Remy visiting his elderly wife who is dying of cancer in a nursing home. Everyone who works there believes that Madeline is his mother, but the reader soon becomes part of a magical love story of a woman and an angel.
This interview airs beginning June 15.
Several books of her poetry received praise and recognition even before Claudia Emerson received a Pulitzer Prize for Late Wife. She is a former Poet Laureate of Virginia and also an inspiring teacher at the University of Mary Washington. Debby Klein visits Claudia to listen to her poems and share her experiences on CRRL Presents, a Central Rappahannock Regional Library production.
The first time I read one of Janette Oke’s books I was around twelve years old, and since then, whenever I pick up a book written or co-written by her, I know I am in for a captivating story that has a good plot, romance, and an uplifting message. The Centurion’s Wife, which Oke co-wrote with Davis Bunn, is no exception.
The story takes place in Jerusalem and in the surrounding Judean provinces immediately after the crucifixion of Jesus Christ and during its controversial aftermath: his burial, resurrection, and appearances before his disciples. The reader experiences all this through the perspectives of two people: Leah and Alban.
Lorie McCown holds a Bachelor's Degree in Art from California State University, Long Beach, and attended San Diego State University's Graduate Art program. She was formally trained in drawing, painting and art history. She has made art all her life, mainly in the fields of drawing, painting, paper, yarn and fiber. She lives in Fredericksburg, Virginia.
Fiber works by Lorie McCown will be on display in the Headquarters Library Atrium Gallery through June.
Take Refuge, $175
Entwined, by Heather Dixon, is a new take on the fairytale of “The Twelve Dancing Princesses.” The twelve sisters live in the kingdom of Eathesbury where their father the king rules with a firm and practical hand. Their mother loves to dance, and her joy and optimism are passed down to her eldest daughter, Azalea. On the eve of her death, their mother makes Azalea promise upon a silver handkerchief that she will take care of her sisters; and Azalea does just that, with the fulfillment of her promise being enforced by the magic of the silver handkerchief.
In An Artist of the Floating World, Kazuo Ishiguro gracefully explores the experiences and memories of a disgraced artist living in post-war Japan. The novel is seductive and haunting, but I was also impressed by its substance and depth.
Mansuji Ono, the novel’s protagonist, was once a great artist whose paintings commanded respect throughout Japan. Following the end of World War II, however, Ono experiences a surreal displacement. From Ono’s perspective, the former order he was a part of has not only been abandoned, it has been rejected and renounced as the epitome of disaster. Instead of enjoying the power and prestige that accompanied his former reputation, Ono finds himself adrift, an aging man who wanders through a crumbling house, where all traces of his past life have been “tidied away.”