"Set in the late nineteenth century, Lonesome Dove is the story of a cattle drive from Texas to Montana -- and much more. It is a drive that represents for everybody involved not only a daring, even a foolhardy, adventure, but a part of the American Dream -- the attempt to carve out of the last remaining wilderness a new life.
"Augustus McCrae and W. F. Call are former Texas Rangers, partners and friends who have shared hardship and danger together without ever quite understanding (or wanting to understand) each other's deepest emotions. Gus is the romantic, a reluctant rancher who has a way with women and the sense to leave well enough alone. Call is a driven, demanding man, a natural authority figure with no patience for weaknesses, and not many of his own. He is obsessed with the dream of creating his own empire, and with the need to conceal a secret sorrow of his own. The two men could hardly be more different, but both are tough, redoubtable fighters who have learned to count on each other, if nothing else.
Call's dream not only drags Gus along in its wake, but draws in a vast cast of characters:
Lorena, the whore with the proverbial heart of gold, whom Gus (and almost everyone else) loves, and who survives one of the most terrifying experiences any woman could have...
Elmira, the restless, reluctant wife of a small-time Arkansas sheriff, who runs away from the security of marriage to become part of the great Western adventure...
Blue Duck, the sinister Indian renegade, one of the most frightening villains in American fiction, whose steely capacity for cruelty affects the lives of everyone in the book...
Newt, the young cowboy for whom the long and dangerous journey from Texas to Montana is in fact a search for his own identity...
Jake, the dashing, womanizing exRanger, a comrade-in-arms of Gus and Call, whose weakness leads him to an unexpected fate...
July Johnson, husband of Elmira, whose love for her draws him out of his secure life into the wilderness, and turns him into a kind of hero..."
In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, or "old same," in an emotional match that will last a lifetime. The two women exchange messages written on silk fans and handkerchieves using nu shu, a unique language that women created in order to communicate in secret, sharing their experiences, but when a misunderstanding arises, their friendship threatens to tear apart.
With Christmas just around the corner, Thomas Pitt's sister-in-law, Emily Radley, is suddenly called from London to be with her dying aunt. Leaving her husband and two children behind, Emily makes the long journey to an all-but-forgotten town in the county of Connemara, on the western coast of Ireland. She soon discovers that a tragic legacy haunts the once close-knit community.
"In the novel, Anne Elliot, the heroine Austen called 'almost too good for me,' has let herself be persuaded not to marry Frederick Wentworth, a fine and attractive man without means. Eight years later, Captain Wentworth returns from the Napoleonic Wars with a triumphant naval career behind him, a substantial fortune to his name, and an eagerness to wed. Austen explores the complexities of human relationships as they change over time."
In this special collector's edition, a selection of Charles Dickens's most captivating stories are gathered together, richly illustrated with handwritten manuscript pages, rare family photographs, and a splendid array of prints and drawings from the special collections of The New York Public Library.
"E. Nesbit's The Hursts of Hurstcote is only one of the many stories found in The Oxford Book of Gothic Tales, the first anthology of this spinetingling genre. Though Gothic fiction has generally been identified with Walpole's Castle of Otranto and the works of Ann Radcliffe, these thirty-seven selections compiled by Chris Baldick provide a unique look at the genre's development into its present-day forms. We see standard gothic elements of incest, murder, and greed in The Poisoner of Montremos, a late eighteenth-century story by Richard Cumberland. We find in Poe's The Fall of the House of Usher the tale that set a new standard of decadence for Gothic stories. In Hawthorne's Rappacini's Daughter, a young girl is raised on the very essence of poison.
"In Faulkner's A Rose for Emily, a woman's death satisfies a neighborhood's curiosity with a bizarre discovery. In other tales, a ghost reveals his sin of parricide, madness drives a man to murder,and a young girl spends her lifetime locked in a single room. All these stories and more contain the common elements of the gothic tale: a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, dynastic corruption, and the impression of a descent into disintegration. Yet they also reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world."
"There's nothing like a good ghost story. And, in Victorian Ghost Stories, Michael Cox and R.A. Gilbert bring together thirty-five well-wrought tales of haunted houses, vengeful spirits, spectral warnings, invisible antagonists, and motiveless malignity from beyond the grave.
"The Victorians excelled at the ghost story, it was as much a part of their literary culture as the realistic novel, and it was practiced by almost all the great writers of the age. Cox and Gilbert here provide samples from Charles Dickens, Robert Louis Stevenson, Rudyard Kipling, Sir Arthur Conan Doyle, Henry James, and Wilkie Collins, as well as such classic ghost-story specialists as M.R. James and J.S. Le Fanu (whose "Account of Some Strange Disturbances in Aungier Street," considered one of the best haunted-house story ever written...), plus one or two genuine rarities for the supernatural fiction enthusiast to savor."
A witness to the only documented incident in which a spirit is credited with killing a human being, Richard Powell relates to his daughter the macabre tale of the Bell Witch that haunted the Bell family of Robertson County, Tennessee, 1817-1821.