England -- fiction
Gemma Doyle is furious with her mother. They may have the same untamed red hair and deep green eyes, but in Libba Bray’s historical novel A Great and Terrible Beauty they are completely at odds with each other. It’s Gemma’s 16th birthday, and try as she may, she is making no headway whatsoever with getting what she really wants for a present—a ticket back to Merrie Olde England where she can make her debut in society and meet some nice, eligible young men. But her mother won’t budge. Gemma’s to stay with her parents in India. And then something terrible happens. She gets her wish… at a horrifying cost.
Lady Jacquetta inherited the gift of Second Sight from a long-ago river goddess, or so the family legend went. What is obviously true is that she does get glimpses of what will happen to her and those around her. For example, Joan, the innocent, brave peasant girl her family has held captive to trade to the English, is almost certainly doomed. As for her own lot, the beautiful teenager who will be called The Lady of the Rivers has captured the attention of a powerful man twice her age and in time she will be his—but not as she imagines.
In Long Lankin, by Lindsey Barraclough, it’s 1958, and Cora and her small sister Mimi have been taken from their London home and dumped in the middle of the English marshes where something is waiting for them.
Flavia de Luce, an eleven-year-old genius with a flair for chemistry, lives a lonely but intriguing life in the crumbling family mansion. Her lovely older sisters delight in tormenting her, and she returns the favor with diabolical brattiness. What one can do with certain itchy plant extracts and a tube of one’s sister’s favorite lipstick! The Sweetness at the Bottom of the Pie, by C. Alan Bradley, is set in post-World War II England. It’s a simpler time in many respects though things get rather more complicated when Father’s annoying visitor turns up dead in the garden by moonlight.
In A Vision of Light, by Judith Merkle Riley, Margaret of Ashbury is a rather ordinary albeit quite pretty woman—ordinary that is, except for the Voice she sometimes hears and the visions she sometimes sees. One day, the Voice tells Margaret that she should write a book about the extraordinary things that have happened to her. She argues with the Voice… she is a woman so who would listen to her, and what is more, like nearly everybody, she does not know how to write. And further, she has not done any great deeds worth writing about.
The Voice answered:
“Put in it what you have seen. There is nothing wrong with being a woman, and doing ordinary things. Sometimes small deeds can show big ideas. As for writing, do as others do: get someone to write it for you.”
“Voice,” I said, “how do I know you are from God, and not the Devil, tempting me into something foolish?”
“Margaret,” answered the Voice, “isn’t it a good idea? God never gives bad ones.”
In its first chapters, Sweet Tooth begins like Dickens’ David Copperfield. Serena Frome (rhymes with Plume) tells of her unremarkable childhood and how she ends up working as a spy for Britain’s MI5. With her blonde and beautiful looks, she is a bit of a Bond Girl and wreaks havoc on the men around her.
A good all-around student, Serena devours novels and wants to do an English degree in a small university, but her housewife mother, in an uncharacteristic fit of feminism, tells her she has a chance of making something of herself by going to Cambridge and doing “maths.”
Author Reginald Hill died January 12th, 2012, at the age of 75. Best known for his "Dalziel & Pascoe" series, he also wrote a number of stand alone novels. The Woodcutter is a fairy tale of a thriller set in the almost mythic Cumbrian countryside.
Hadda Wolf has been living Happily Ever After. The son of a Cumbrian woodcutter, he fulfills three tasks--getting an education, some social polish, and amassing great fortune--to win the hand of an almost-princess, the daughter of the lord of the castle. Hadda and Imogen marry, have a daughter, and he truly feels he is living beyond his wildest dreams.
When one thinks of heirs and heiresses, one thinks of bags and bags of money. But in T. H. White’s Mistress Masham’s Repose, ten-year-old Maria has no money. She is only the heiress to a falling down 17th-century English estate called Malplaquet. Even so, she might have enjoyed a lovely if quiet life in the countryside. But she doesn’t.
Emma has just graduated from college when she meets Dexter. She’s smitten with his beauty and drawn to his easy self-confidence. For his part, Dexter realizes that Emma is probably the most intriguing person he has ever met. That’s high praise, indeed, from a guy to whom women flock in great numbers. One Day by David Nicholls follows the two over the course of almost twenty years.
While Emma has plans to change the world, life simply happens—and in a big way—to her handsome friend. Despite her considerable talents, Emma can’t seem to jumpstart her career. Dexter, on the other hand, falls into a media job. His natural attributes make him an instant success, and considerable fame and fortune follow shortly. But what Dexter was certain was the path to happiness leads him instead to a hollow existence.