literary figures -- fiction
Author Gideon Defoe has established a successful micro-franchise with his comedic novels about the misadventures of the dim-witted yet lovable Pirate Captain, beginning with The Pirates! In an Adventure with Scientists and continuing throughout the 2000s and 2010s to the latest installment, The Pirates! In an Adventure with the Romantics. Defoe’s ridiculous tales are dominated by the presence of the Pirate Captain, a man who never found a boast too ridiculous to make, a ham too large to eat, or an amount of money too large to spend. It is this last attribute that forces him and his bizarre crew into their latest adventure. Deeply in debt, they decide to take some wealthy intellectuals on an “authentic” pirate adventure in hopes of making some quick money. Unfortunately for them, those intellectuals turn out to be Lord Byron, Percy Shelley, and Mary Godwin, and a variety of bizarre, hilarious events ensue.
Johann had been terrible to her, absolutely terrible! Beautiful, 17-year-old Giselle told him that she loved him, and he had waved her away. He thought her family was not rich enough, not important enough for him to consider a relationship with her. But Johann was wrong. Shortly after he humiliated her, she and her sister discovered that they did come from an important family—and they were rich. For Giselle and her identical twin Ingrid are Dr. Frankenstein’s Daughters.
“If war can ever be said to be just, then this war is so; it is action for a moral cause, with the most rigorous of intellectual underpinnings. And yet everywhere I turn, I see injustice done in the waging of it. “ - March
In Louisa Alcott’s Little Women, Mr. March’s largest role in the narrative is that his daughters are perpetually waiting for his letters home. In March, Geraldine Brooks traces his story as he enlists to become a Union chaplain, experiences many horrors of war, and eventually finds himself tutoring freed slaves (“contraband”) on a destitute cotton plantation. His cheerful letters home to Marmee contrast with the terrible details he confides to the reader but does not write home about: the pervasive racism; cruelty; and suffering that he encounters in a number of different encounters.
When one thinks of heirs and heiresses, one thinks of bags and bags of money. But in T. H. White’s Mistress Masham’s Repose, ten-year-old Maria has no money. She is only the heiress to a falling down 17th-century English estate called Malplaquet. Even so, she might have enjoyed a lovely if quiet life in the countryside. But she doesn’t.