Reading Room Blog
Meets the second Monday of the month at 7:30 p.m. in the 3rd floor conference room
Rediscover the timeless, treasured delights of the classics. Read, savor, and engage in lively discourse with our newest Book Group. Meets the 3rd Monday of every month, 7-8 p.m. For more information, please call the Adult Research Desk at 372-1144 ext. 232.
Meets the first Thursday of the month at 7:30 pm.
Join other readers to talk about books. The group meets the fourth Tuesday of the month from 7-9 pm.
Meets the fourth Tuesday of the month at 7pm
Have you ever wanted to become a writer and brave the strange and confusing world of trying to sell your work to the publishing industry? Do you feel you might need a refresher course in creating a marketable thriller or romance novel? If you are curious about improving your writing technique to make your work more compelling, concise, or appealing to publishers, you may benefit from How Not to Write a Novel, a writing guide from Howard Mittlemark and Sandra Newman. This guide is a compilation of examples of common writing mistakes that can make novels confusing, boring, or unappealing to read. Humorous and well-organized, this book is both a great educational resource and a good comedic read.
How Music Works offers many answers to a question that I had never even asked. Now that I've read it I wonder, "How could I have gone so long without this information?" Musician and writer David Byrne crafts such an enticing collection of essays, dropping factoids and anecdotes along the way, that I was equally informed and entertained.
More of a blend of personal experience and hypothesis than a hard-line course in objective facts, Byrne tackles nearly every conceivable aspect of the art form: venues throughout history; the creative process; collaboration; recording; and business.
Only Jonathan Lethem could turn an homage to the classic noir style into a wildly inventive exploration of language, loyalty, and the principles of Zen Buddhism. Lethem’s fascination with noir played a major role in his debut novel, Gun, with Occasional Music. In Motherless Brooklyn, the reader is treated to a gritty interpretation of noir filtered through an unforgettable narrator—Lionel Essrog. As always, Lethem’s writing is superb, and the construction of Lionel’s narrative voice is a rare accomplishment.
Lionel Essrog is an inexperienced detective who has a complicated relationship with language. Lionel is always looking for an antidote – some sensation or substance that will temporarily quell the feral language percolating in his brain. White Castle hamburgers can have therapeutic properties, and fear will work in a pinch. But Lionel’s mind always reverts back to an intricate arrangement of associative tics, repetition, and wordplay.
Forget the Hunger Games. A Canticle for Leibowitz is the grandaddy of all post-apocalyptic novels. In it, Walter M. Miller Jr. eloquently dissects the nature of mankind in a moving manner that is also surprisingly funny.
When David Gilmour's son decided to drop out of high school, his father could have screamed at the top of his lungs about ruining one's future and the misery of being a lifelong freeloader. Instead he created The Film Club.
Fifteen-year-old Jesse could leave school under a couple of conditions. One: he had to avoid getting involved with drugs. Two: he had to watch three movies a week with his father, a former film critic. Dad picked the films, and all Jesse had to do was pay attention. What followed is one of the riskiest experiments in alternative education I have ever seen. Was David 100% sure this was an ideal solution? Heck no, but he thought it was worth a try.