Reading Room Blog
Have you ever wanted to become a writer and brave the strange and confusing world of trying to sell your work to the publishing industry? Do you feel you might need a refresher course in creating a marketable thriller or romance novel? If you are curious about improving your writing technique to make your work more compelling, concise, or appealing to publishers, you may benefit from How Not to Write a Novel, a writing guide from Howard Mittlemark and Sandra Newman. This guide is a compilation of examples of common writing mistakes that can make novels confusing, boring, or unappealing to read. Humorous and well-organized, this book is both a great educational resource and a good comedic read.
How Music Works offers many answers to a question that I had never even asked. Now that I've read it I wonder, "How could I have gone so long without this information?" Musician and writer David Byrne crafts such an enticing collection of essays, dropping factoids and anecdotes along the way, that I was equally informed and entertained.
More of a blend of personal experience and hypothesis than a hard-line course in objective facts, Byrne tackles nearly every conceivable aspect of the art form: venues throughout history; the creative process; collaboration; recording; and business.
Only Jonathan Lethem could turn an homage to the classic noir style into a wildly inventive exploration of language, loyalty, and the principles of Zen Buddhism. Lethem’s fascination with noir played a major role in his debut novel, Gun, with Occasional Music. In Motherless Brooklyn, the reader is treated to a gritty interpretation of noir filtered through an unforgettable narrator—Lionel Essrog. As always, Lethem’s writing is superb, and the construction of Lionel’s narrative voice is a rare accomplishment.
Lionel Essrog is an inexperienced detective who has a complicated relationship with language. Lionel is always looking for an antidote – some sensation or substance that will temporarily quell the feral language percolating in his brain. White Castle hamburgers can have therapeutic properties, and fear will work in a pinch. But Lionel’s mind always reverts back to an intricate arrangement of associative tics, repetition, and wordplay.
Forget the Hunger Games. A Canticle for Leibowitz is the grandaddy of all post-apocalyptic novels. In it, Walter M. Miller Jr. eloquently dissects the nature of mankind in a moving manner that is also surprisingly funny.
When David Gilmour's son decided to drop out of high school, his father could have screamed at the top of his lungs about ruining one's future and the misery of being a lifelong freeloader. Instead he created The Film Club.
Fifteen-year-old Jesse could leave school under a couple of conditions. One: he had to avoid getting involved with drugs. Two: he had to watch three movies a week with his father, a former film critic. Dad picked the films, and all Jesse had to do was pay attention. What followed is one of the riskiest experiments in alternative education I have ever seen. Was David 100% sure this was an ideal solution? Heck no, but he thought it was worth a try.
This readalike is in response to a patron's book-match request. If you would like personalized reading recommendations, fill out the book-match form and a librarian will email suggested titles to you. Available for adults, teens, and kids. You can browse the book matches here.
Interview with the Vampire by Anne Rice: Here are the confessions of a vampire. Hypnotic, shocking, and chillingly erotic, this is a novel of mesmerizing beauty and astonishing force-a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses.
If you enjoyed Interview with the Vampire you might also like these books:
American Gods by Neil Gaiman
From the Publisher: "Shadow dreamed of nothing but leaving prison and starting a new life. But the day before his release, his wife and best friend are killed in an accident. On the plane home to the funeral, he meets Mr. Wednesday-a beguiling stranger who seems to know everything about him. A trickster and rogue, Mr. Wednesday offers Shadow a job as
his bodyguard. With nowhere left to go, Shadow accepts, and soon learns that his role in Mr. Wednesday's schemes will be far more dangerous and dark than he could have ever imagined. For beneath the placid surface of everyday life a war is being fought-and the prize is the very soul of America."
Indigo by Graham Joyce
Annotation from Amazon.com: "It is a color the human eye cannot truly see, a slice of the spectrum imbued with the promise of invisibility. But for Jack Chambers, the son of a scientist renowned as both a genius and a madman, it will lead to places of unknown treachery. As executor of his estranged-father's will, Jack is appointed two ominous tasks: publish Timothy Chambers' bizarre manuscript Invisibility: A Manual of Light, and track down an unknown woman who stands to inherit the substantial estate. Jack's mission leads him to reunite with his half-sister, Louise, now grown into a stunning woman. Bound by a tense attraction, Jack and Louise head to Rome, where a cultlike group pursues the intoxicating secrets of the elusive indigo -- and where Jack perceives its horrid danger only when it's too late."
If you’ve never managed to make it all the way through this “great American classic,” NOW is the time to give it one more go! Wait, don’t click away! Hear me out! I’ve tried at least three times in the past to read Moby Dick & always get bogged down after a few chapters. All that whaling! All that boiling down of blubber! And, what is Ahab’s problem anyway?! So I’ve never “gotten” Moby Dick & never finished the book. I always abandon the Pequod, Ishmael, Ahab, & the gang and leave them floating in the middle of the ocean somewhere.
But NOT this time! You may have heard recently that writer, Philip Hoare, is leading a "big read" of Moby Dick, or, in this case, more like a “big listen.” He’s offering a chapter per day in free downloadable audio. There’s a different reader and a different artist’s illustration for each chapter. I know about this because I have been reading, not a chapter per day, but a PAGE per day, of Moby Dick since August 9th , 2012, and writing a blog about it. So, several people who’ve been following my blog have told me about the big read project. “This guy stole your idea!” they say indignantly.
I am an addict...and my addiction is popular music. I adore it. Who doesn't? We all have our favorite songs, artists, genres. The right track at the right moment can hit us emotionally or physically, make us weep or dance. What I like almost as much as music are all of the details and stories that lead up to the making of some of my most cherished albums. That's where the 33 1/3 series comes in.
Started in 2003 by editor David Barker, 33 1/3 is a collection where each volume examines the allure of a particular album as well as the artist who recorded it. Named after the number of revolutions on an LP record, the series spans rock, hip-hop, folk, metal, pop, country, dance, punk, electronica, and world. There is something here for everyone.
The rise of broadband Internet and the coming of the Great Recession have combined over the past several years to create a perfect storm for many different types of magazines. The 2000s and early 2010s have seen many respected publications end, either converting to online editions or shutting down entirely. So many magazines have closed over this time period that I have become convinced that I should chronicle some of our former print resources and point out the online resources that have replaced them. So, let’s take some time to reminisce over the fate of those wonderful magazines that used to be in our stacks, and look at the Web sites and databases vying to replace them.
C.S. Friedman has long been one of my favorite fantasy writers or, really, writers in general. Having written two trilogies and four stand-alone novels in the past two decades, she's not the most prolific writer in the fantasy world, but when she chooses to publish, her work is always brilliant. I was first introduced to her stories in high school by a friend who was in the middle of reading her Coldfire Trilogy. I've always been loathe to accept recommendations from friends who say, "You've gotta read this book!" but I'm glad I did. And now with her second series, the Magister Trilogy, I've just finished and thoroughly enjoyed Feast of Souls.
This first book takes place in a world that is practically medieval, with tales of small, squalid villages, deeply-forested trails, and grand, opulent capital cities and castles. Friedman takes great care to emphasize the disparity between the peasants--dirty, uneducated, and willing to sell themselves and their families to stay afloat--while the rich go about their lives oblivious to those "below" them. There are three main categories of persons in this book: the morati, regular mortal people, no matter their walk of life; the witches, natural magicians who must draw upon their own life-force to perform their work and who, consequently, are rather short-lived; and the magisters, mysterious sorcerers who act as political counselors and power brokers who do not die. The secret to magisters' immortality is known only to them.