Reading Room Blog
Local Fredericksburg author and crafter Jodie Rackley helps you stitch up a smile with her book, Happy Stitch. She stitches her fun designs in her home studio in Fredericksburg, which she shares with her pets, Captain Nibbles and Sleepy Kitty. The 30 charming and colorful felt and fabric projects in her book are uber cute.
Take some time this summer and stitch up a Monster Face Computer Cover or doodle on a denim skirt. If your older children are complaining of boredom, try one of the projects with them; for example, the Anytime Ornaments have simple cutting and stitching instructions that an older child can follow with a little guidance. Her instructions are clear, and she uses simple techniques.
On the surface Gone Girl reads like a whodunit thriller, and it makes a great summer read--but it’s also a literary novel in disguise with its imagery of a landscape of an economic wasteland, the characters’ moral bankruptcy, and its themes of identity and marriage. It’s been the book of the summer for me.
On their fifth anniversary, Nick Dunne comes home, and his wife Amy is gone. The initial crime scene: an open door, the ottoman turned over, broken glass, and the iron left on. Instead of beginning with “boy meets girl,” the plot starts with “boy loses girl.” Detectives arrive and the media circus begins.
Told in alternating he said/she said chapters, we learn the back story of Nick and Amy. Gilliam Flynn throws her readers red herrings with sneaky abandon. I found myself shifting loyalties back and forth from Team Amy to Team Nick and then being horrified and guiltily fascinated with both of them.
Never Apologize for Your Reading Tastes. Libraries live by this adage from Betty Rosenberg. But, truthfully? We're all biased. There are those who won't get near a bestseller--reading only serious non-fiction, or, perhaps, literary fiction. My personal eye-rolling, disdainful sniffiness was aimed squarely at paperback romances. Until I actually, well, read some of them.
In Train Dreams, Denis Johnson constructs a melancholy portrait of the U.S. frontier. Instead of focusing on the raw potential and opportunity most associate with the Western expansion, Johnson elucidates the isolation and stasis involved in “taming” a wild place. Johnson artfully constructs a non-linear account of Robert Grainier’s life on the frontier. Through Grainier’s perspective, we witness the rapid transformation of America – from railroad construction to the proliferation of sleek highways; from influenza epidemics to a random encounter with Elvis Presley. Despite the changes going on around him, Grainier remains a lonely outsider, observing the world’s expedited evolution from a distance.
History, particularly popular history, need not be dull, something that Cormac O’Brien demonstrates readily in his book, The Forgotten History of America. Written in a conversational tone and broken into vignettes, old history is made new when written this way. Even so, it’s not the standard stuff taught in schools. It’s about wars and both sides in those wars, reaching back to the country’s colonial beginnings in the 16th century. With personalities writ large on both sides and a good understanding of the differences in modern and historical society, O’Brien leads his readers on journeys back in time:
It begins with the first permanent European settlement in North America:
Pedro Menedez de Aviles anxiously paced the deck of his flagship, San Pelayo. Two days earlier, off the coast of Florida, he had gone ashore and met with Indians who offered valuable information about the prey he was desperately seeking. Now, confident of success, he led his five vessels northward along the coastline, scanning the beaches for any sign of European settlement. The day was September 4, 1565, and Menendez was hunting heretics.
Where is Heaven? How do we know there is life after death? What do you say to someone who doesn't believe in Heaven? All good questions, which the inexhaustible evangelist Billy Graham has answered over the course of his long life. In this brand-new, beautifully-packaged little book are gathered--and edited--the answers to these and many other questions on the topic of death and Heaven.
Part graphic memoir, part travelogue, A Year in Japan offers a unique perspective on everyday life in Japan. In this charming, whimsical book, Kate T. Williamson adopts a counterintuitive approach to travel writing. Rather than striving to represent the grand, monumental aspects of Japanese culture and history, Williamson focuses on capturing the minutiae--fragmented memories, experiences, and revelations that emerged during the year she spent living in Kyoto. As a Westerner, Williamson has an outsider’s perspective on Japan. But because she had the opportunity to live there and become enmeshed in another way of life, Williamson was able to glean insights and perspectives that would be invisible to your run-of-the-mill tourist. Williamson’s artistic talent also helps concretize her observations, creating an enchanting combination of vivid, unexpected descriptions and beautifully rendered watercolor illustrations.
I'd put off reading Altered Carbon for a few years, always reading something newer. Shame on me. This Philip K. Dick Award-winner is a brilliantly dark and gritty mixture of hardboiled detective fiction and cyberpunk that anyone looking for a story with a razor-sharp edge will love.
“Most kids grow up leaving something out for Santa at Christmas time when he comes down the chimney. I used to make presents for the Four Horsemen of the Apocalypse.”
When I picked up a copy of Jeanette Winterson’s recent memoir, Why Be Happy When You Could Be Normal, I couldn’t wait to start the first page. I’ve been fascinated by Winterson’s novels for years, but never imagined she would narrate her life in the coherent, linear style associated with memoirs. In Winterson’s fiction, she constantly manipulates the boundary between fantasy and reality, integrating personal experience, mythology, and philosophy into a fluid conglomeration. Although Why Be Happy does feature some of Winterson’s trademark structural experimentation, it is also an engrossing story about one woman’s experience of dysfunction, madness, violence, love, and religion.
The personal histories included in All There Is are compelling and powerful. Some are joyous celebrations of love and companionship, while others are stoic accounts of tragedy and perseverance. Despite their differences, each narrative is characterized by an overpowering sense of authenticity. The stories recorded in All There Is were not shared for personal gain or publicity. Rather, they were collected through the efforts of StoryCorps, an oral history project that allows any willing volunteer to record his or her most precious memories and experiences. The participants share the most essential aspects of their lives in interviews that are recorded for their personal archives and, in many cases, for the American Folklife Center.
Since its debut in 2003, the StoryCorps project has spread across the United States, recording over 40,000 interviews. As Dave Isay, StoryCorps’ founder, states, “StoryCorps’ mission is to provide Americans of all backgrounds and beliefs with the opportunity to record, share, and preserve the stories of our lives. With a relentless focus on recording the stories of people who are often excluded from the historical record, StoryCorps captures lives that would otherwise be lost to history and reminds the nation that every story matters and every voice counts.”