Reading Room Blog
Meets the first Thursday of the month at 7:30 pm.
Join other readers to talk about books. The group meets the fourth Tuesday of the month from 7-9 pm.
Meets the fourth Tuesday of the month at 7pm
Have you ever wanted to become a writer and brave the strange and confusing world of trying to sell your work to the publishing industry? Do you feel you might need a refresher course in creating a marketable thriller or romance novel? If you are curious about improving your writing technique to make your work more compelling, concise, or appealing to publishers, you may benefit from How Not to Write a Novel, a writing guide from Howard Mittlemark and Sandra Newman. This guide is a compilation of examples of common writing mistakes that can make novels confusing, boring, or unappealing to read. Humorous and well-organized, this book is both a great educational resource and a good comedic read.
How Music Works offers many answers to a question that I had never even asked. Now that I've read it I wonder, "How could I have gone so long without this information?" Musician and writer David Byrne crafts such an enticing collection of essays, dropping factoids and anecdotes along the way, that I was equally informed and entertained.
More of a blend of personal experience and hypothesis than a hard-line course in objective facts, Byrne tackles nearly every conceivable aspect of the art form: venues throughout history; the creative process; collaboration; recording; and business.
Only Jonathan Lethem could turn an homage to the classic noir style into a wildly inventive exploration of language, loyalty, and the principles of Zen Buddhism. Lethem’s fascination with noir played a major role in his debut novel, Gun, with Occasional Music. In Motherless Brooklyn, the reader is treated to a gritty interpretation of noir filtered through an unforgettable narrator—Lionel Essrog. As always, Lethem’s writing is superb, and the construction of Lionel’s narrative voice is a rare accomplishment.
Lionel Essrog is an inexperienced detective who has a complicated relationship with language. Lionel is always looking for an antidote – some sensation or substance that will temporarily quell the feral language percolating in his brain. White Castle hamburgers can have therapeutic properties, and fear will work in a pinch. But Lionel’s mind always reverts back to an intricate arrangement of associative tics, repetition, and wordplay.
Forget the Hunger Games. A Canticle for Leibowitz is the grandaddy of all post-apocalyptic novels. In it, Walter M. Miller Jr. eloquently dissects the nature of mankind in a moving manner that is also surprisingly funny.
When David Gilmour's son decided to drop out of high school, his father could have screamed at the top of his lungs about ruining one's future and the misery of being a lifelong freeloader. Instead he created The Film Club.
Fifteen-year-old Jesse could leave school under a couple of conditions. One: he had to avoid getting involved with drugs. Two: he had to watch three movies a week with his father, a former film critic. Dad picked the films, and all Jesse had to do was pay attention. What followed is one of the riskiest experiments in alternative education I have ever seen. Was David 100% sure this was an ideal solution? Heck no, but he thought it was worth a try.
Junot Diaz's versatility enables him to effortlessly shift from elaborate epics to intimate, micro-level storytelling. Just a few years after his sweeping epic, The Brief Wondrous Life of Oscar Wao, Diaz is back with This is How You Lose Her, a collection of overlapping and intersecting short stories that offer brief, nuanced glimpses of complex characters, emotions, and situations.
Although the stories contained within This is How You Lose Her are arranged in a non-linear sequence, they create a fragmentary portrait of Yunior's life and progression from a young immigrant learning English from Sesame Street to a middle-aged man reflecting on a hollow life and deteriorating body.
If you’ve never managed to make it all the way through this “great American classic,” NOW is the time to give it one more go! Wait, don’t click away! Hear me out! I’ve tried at least three times in the past to read Moby Dick & always get bogged down after a few chapters. All that whaling! All that boiling down of blubber! And, what is Ahab’s problem anyway?! So I’ve never “gotten” Moby Dick & never finished the book. I always abandon the Pequod, Ishmael, Ahab, & the gang and leave them floating in the middle of the ocean somewhere.
But NOT this time! You may have heard recently that writer, Philip Hoare, is leading a "big read" of Moby Dick, or, in this case, more like a “big listen.” He’s offering a chapter per day in free downloadable audio. There’s a different reader and a different artist’s illustration for each chapter. I know about this because I have been reading, not a chapter per day, but a PAGE per day, of Moby Dick since August 9th , 2012, and writing a blog about it. So, several people who’ve been following my blog have told me about the big read project. “This guy stole your idea!” they say indignantly.