Rock and Roll
Sandy Blair was not having his best day, or decade for that matter, when he got word that Jamie Lynch had his heart cut out. In The Armageddon Rag by George R.R. Martin, the child of the Sixties has been orphaned by the "Me" Decade. Now, it's 1983, and all of Blair's political ideals have earned him a middling career as a novelist and a lot of writer's block.
If King Dork's cover seems vaguely familiar, that's because it looks like a defaced copy of The Catcher in the Rye. The title and its author Frank Portman are scrawled in ballpoint pen with a blatant disregard for the granddaddy of all coming-of-age novels.
This sums up how Tom Henderson feels about Salinger's classic novel. He notices a Catcher cult amongst most adults, who sing the praises of the book changing their lives. Tom thinks all of this is, to borrow a phrase from Holden Caulfield, "phony," but a particular copy of the book is about to turn his world upside down and inside out.
We are all about lifelong learning at the Central Rappahannock Regional Library, and we hope that you are, too. Whether it is through our collection or our classes and events, we offer ways to educate for so many different types of learners. I learn best by listening, so one of my favorite methods of acquiring new information is though our Modern Scholar audio courses.
Rock music provocateur Lou Reed passed away this week at age 71. Best known for his work with the proto-punk band The Velvet Underground, Reed supplied tough, gritty lyrics while John Cale offered up a dissonant musical journey unlike any heard at the time. Reed and Cale went on to make some transcendent solo albums as well, but my favorite collaboration of theirs will always be Songs For Drella.
Punk: The Best of Punk Magazine follows the history of New York City's Bowery music scene with actual reprints of the homemade zine's existence from 1976 to 1980. What's captured on these black and white pages is an anti-movement—a reaction against the well-intentioned but ultimately toothless peace and love ethos of the late 60's.
New York was a dump, seemingly destined for ruin. Rock music was gasping for air, trying to find sustenance from the softly vacant likes of Toto, Bread, or Seals and Crofts.
John Holstom and Legs McNeil did not expect things to improve. But when they heard a new band called the Dictators, a change started to manifest. The Dictators wrote songs about hanging out at burger joints, drinking Coca-Cola for breakfast, and being "Teengenerates." It was stupid enough to also be absolutely brilliant, and it encapsulated Holstrom's and McNeil's lives like no other music they were hearing at the time.
In the first book you heard from Mia, now it's Adam's turn: Adam, now a rising rock star, and Mia, a successful cellist, reunite in New York and reconnect after the horrific events that tore them apart when Mia almost died in a car accident three years earlier.
Jimi Hendrix was an iconic force in rock and roll. His name is synonymous with music. In the book Jimi Sounds Like a Rainbow, author Gary Golio introduces us to the young Jimi. The book begins in 1956 in Seattle, Washington, where Jimi was living with his father. They were not wealthy, but Jimi's father recognized that his son had a love for music. Jimi often practiced on his one-string ukele. With it he recreated the sounds the raindrops made as they hit the roof and the windowpanes. Even as a very young boy he interpreted the city sounds that he heard outside the boardinghouse where he lived with his Dad and turned them into melodies.