immigrants -- fiction
Sisters Pearl and May Chin are “Beautiful Girls”—artists’ models in 1930s Shanghai. They live in amazing times in a modern city, dancing at nightclubs, dining at expensive restaurants, buying new outfits, and having lots of admirers. Neither college-graduate Pearl nor everyone’s darling May give much thought to their futures. They think they can go on like this forever, marrying as they choose, if they choose. Unfortunately for these Shanghai Girls, they are quite mistaken.
Set in the Gilded Age of the 1890s through the beginning of the 20th century, Clara and Mr. Tiffany, by Susan Vreeland, paints a not always pretty picture of New Yorkers’ lives during one of the city’s most bustling periods. These were the days when the Statue of Liberty was new, thousands of hopeful European immigrants crowded into slums, and, for a few talented and lucky young women, there was a chance to be independent and earn good wages at Mr. Tiffany’s stained glass studio.
She never knew her father the farmer. But in Paul Fleischman’s Seedfolks, Kim is determined to do something to connect with him, though he died before she was born in far-off Vietnam. Her mother and sisters remember him with incense and candles on the anniversary of his death. However, that’s not enough for Kim. She has something else in mind even though the prospect of carrying it through is unnerving. The Cleveland neighborhood her family can afford to live in is scary. But outside the apartment building is vacant lot. Well, it’s not exactly vacant. It’s filled with junk—an old couch, tires, all kinds of trash—a real haven for rats. But it’s ground that’s not spoken for. And Kim has a plan.
It’s 1900, and lovely, smart Hilda Johansson is one of many immigrants working as live-in servants to rich households in Southbend, Indiana. In Jeanne M. Dams’ Death in Lacquer Red, Hilda has a pleasant if strenuous life, working hard to save money to bring her other family members over from Sweden. She is being courted by a handsome Irish fireman who won’t let the fact that their families wouldn’t approve--he’s Catholic and she’s Lutheran--get in the way of the romance. Even so, a dead body in the lilac bushes does put a damper on their day out together.
Chronicles the close friendship between two Japanese-American sisters growing up in rural Georgia during the late 1950s and early 1960s, and the despair when one sister becomes terminally ill.