Rock and Roll -- fiction
When Farmer Joe goes to sleep, the animals on his farm are still wide awake. They are preparing for their debut show as the rock band Punk Farm!
Each animal has his own instrument, and the barn works well as a practice space. Thankfully, punk rock focuses on sheer animalistic energy over talent, so these hooved and feathered bandmates have little to worry about skill-wise. But wait....did the farmer's bedroom light just turn back on?
Johanna Morgan knows she is an embarrassment. After humiliating herself on live television, she realizes that to be cool, hip, and respected, she can’t be herself. In How to Build a Girl, by Caitlin Moran, we watch Johanna reinvent herself into the girl she wants to be.
Sandy Blair was not having his best day, or decade for that matter, when he got word that Jamie Lynch had his heart cut out. In The Armageddon Rag by George R.R. Martin, the child of the Sixties has been orphaned by the "Me" Decade. Now, it's 1983, and all of Blair's political ideals have earned him a middling career as a novelist and a lot of writer's block.
If King Dork's cover seems vaguely familiar, that's because it looks like a defaced copy of The Catcher in the Rye. The title and its author Frank Portman are scrawled in ballpoint pen with a blatant disregard for the granddaddy of all coming-of-age novels.
This sums up how Tom Henderson feels about Salinger's classic novel. He notices a Catcher cult amongst most adults, who sing the praises of the book changing their lives. Tom thinks all of this is, to borrow a phrase from Holden Caulfield, "phony," but a particular copy of the book is about to turn his world upside down and inside out.
Revolution, by Jennifer Donnelly, spans both time and social status. In the present there is Andi, a musical prodigy who is about to get kicked out of her prestigious New York City school. She’s mad at her father for the divorce and at her mother for retreating into her own private shell. But mostly she’s in pain over the death of her younger brother, for which she blames herself.