Arts and Artists
Twentieth-century illustrator Norman Rockwell reflected in his work much of what was good in America. He is known for his sweet depictions of small-town life—soda fountains, family scenes, Boy Scouts, town meetings, doctors’ offices, and boys with dogs—but one of his most touching images was a painful one from the Civil Rights Era: “The Problem We All Live With.”
This interview airs beginning January 27.
Mary Jane Bohlen's work delights all who view it. From printmaking and papermaking to painting and sculpture there is always something new to explore and appreciate and her teaching is legendary. Before her move to Rhode Island, Debby Klein met with her to talk about her long career in Fredericksburg.
Find out more about CRRL Presents.
See works by the students of Johnny Johnson's Watercolor Workshop through January in the Headquarters Atrium Gallery.
View photographs by John Bice through November in the Headquarters Atrium Gallery.
From the Central Rappahannock Regional Library
Constantino Brumidi: Artist of the Capitol by Barbara A. Wolanin.
Provides a three-dimensional picture of the artist Brumidi and a fuller appreciation of Brumidi's work via the conservation effort.
Let your own imagination run wild with these books from our newest booklist.
This is an oral history interview with Johnny P. Johnson, Fredericksburg artist, teacher, civil rights activist, on July 1 and August 14, 1997, at his art studio at 1311 Charles St., Fredericksburg. This interview was suggested, in part, by Mr. Johnson's personal and yet objective picture of the civil rights movement in Fredericksburg as related during a 1997 Black History Month program.
Johnny Johnson, Part I
View mixed media collages by Bernardine Meyer through October in the Headquarters Atrium Gallery.
Through good fortune, opportunity, and foreign travel, my art career has taken various paths.
By Janet Payne
Janet Payne is the retired fine arts coordinator of the Stafford (VA) County Public Schools.
This article originally appeared in the International Review of African American Art, volume 16, number 1, and is reproduced here with the permission of this publication.