Arts and Artists
Marcia Sewall's name can be found on the covers of tons of classic fiction and folktales in the library. She has a simple drawing style that conveys the rhythm and characters of the stories without overwhelming them. Whether the subject is a family issue such as the death of a loved one (Saying Good-bye to Grandma by Jane Resh Thomas) or something more light-hearted (The Leprechaun's Story by Richard Kennedy), Marcia's drawings give the books a simple clarity.
Julius Lester came of age during the fight for civil rights for black Americans. In 1960, he graduated from Fiske College and became involved with the Student Non-Violent Coordinating Committee which organized student protests in communities across the nation.
Gary Soto came from a hard background by anyone's reckoning. His young father died in an industrial accident when Gary was only five years old. His Mexican-American family was struggling and lived in a tough neighborhood--next to a junkyard and across from a pickle factory. All through school, he and his family worked at whatever jobs they could get, including picking fruits as migrant laborers.
Eric Carle was born in the United States but spent much of his childhood in Hitler's Germany. Whether the family was in the States or in Stuttgart, his father taught him to quietly learn and sympathize with the creatures of the fields and forest. From life inside an anthill to the proper way to handle tiny lizards, Eric discovered whole worlds from his nature walks with his father.
Works by Jeanne Tanks are on display through July in the Headquarters Atrium Gallery.
Artist's Statement: Much of my love of the visual arts came about as a result of being legally blind for the first 13-years of life. Once I was able to see God's world clearly, I was imbued with a sense of awe I have never gotten over. We really do live on a beautiful planet, and I try to capture that beauty and sense of God's love for us in my art.
It was her third grade teacher who showed Peggy Rathmann that reading could be fun. She had spent the first two grades squinting at the blackboard, trying to make out the alphabet with her nearsighted eyes. But her third grade teacher used pictures to tell stories, and when Peggy grew up to be a famous illustrator, she made sure that her big, bold pictures were clearly outlined in black ink so the kids in the back of the class could see them clearly.
Margret Rey and her husband, H.A. Rey, had no children themselves, but thousands of kids across the world have made friends with their little monkey, Curious George.
Margret was born in Hamburg, Germany, in May of 1906. She studied art at the famous Bauhaus School and elsewhere before moving to Brazil in 1935. Margret married a fellow German artist, Hans Augusto (H. A.) Rey, and together they started the first advertising agency in Rio de Janeiro. They came back to Paris during some of its cruelest days, just before the Nazi occupation. Somehow, funny and delightful Curious George was created during those difficult times.
Mysteries for the mind and the eye, that's what Chris Van Allsburg creates for his readers. His drawings seem quite still and perhaps a little dull-until you notice the huge snake slithering across the mantelpiece (Jumanji) or the brambles stealthily growing out of a sleeping girl's book in The Mysteries of Harris Burdick.
Vera Baker was born in Hollywood, California, on January 28, 1927. She and her family moved to New York City when she was quite young. Luckily for Vera, they lived near a studio space called Bronx House where she learned painting, writing, acting, and dance. When she was nine-years-old, one of her paintings, called "Yentas," was put on exhibit at the Museum of Modern Art. She was filmed there explaining to First Lady Eleanor Roosevelt the meaning behind her work. The Movietone film reel ran before the regular features at the movies. This, Vera recalled, made her quite a big shot in the neighborhood!
Mr. Taback grew up in the East Bronx of New York City in 1930s and 40s. His family was Jewish, and they had strong ties to Eastern Europe. Their neighborhood was made up of many such families who together created a community rich in the traditions of the Old Country. When he was a young boy, he spoke the Yiddish language. Although he remembers little of it today, the old songs, stories, and ways of life have made a tremendous impact on the work of this Caldecott Award-winner. In old Poland, a village such as the one he grew up in would be called a shtetl.