Victorian England -- fiction
Alexia Tarabotti finds it terribly inconvenient to happen upon a thirsting vampire while she herself is simply starving at an ill-hosted party with few victuals. She quickly dispatches the vamp with her parasol, a handy weapon that has saved her many times. Of course the vampire was no true danger to Alexia, who, as a rare preternatural without a soul, restores mortality (and therefore vulnerability) to such supernaturals as ghosts, vampires, and werewolves with a single touch. These supernaturals co-exist with humans in an alternate Victorian London in Soulless by Gail Carriger, the first of the Parasol Protectorate series.
Near Manchester, England, in 1836, Emmeline Roke finished a piece of golden embroidery on a blue silk gown. It wasn’t her gown. Had she enough money for such a dress, she would have used it to buy better food and other small comforts for her family. At fifteen, her sewing work was an important source of income for them. Everyone in her family worked—her beautiful, willful, widowed mother in the fabric mill whilst her beloved little brother, deaf-mute since nearly his birth, also did piece work. Life in the all-too-real world of Linda Holeman’s Search of the Moon King’s Daughter is hard for the Roke family, and it’s about to get harder.
Emmeline remembers that it wasn’t always this way. Not too long ago, they lived in a small cottage attached to the village grocery shop. Her father Jasper Roke may have been destined for greater things, but he gave it up when he met Emmeline’s mother, Catherine. He took the job running the shop, which came with the cottage. If he was a bit lazy and closed down for the afternoon when he felt like taking them all out for a picnic and reading poetry and fairy stories to his family, it was no matter to him. But when he died suddenly, everything came apart. The little family had to move to another town—a mill town—where there was work to be had. It was a hard life, but it was doable—until the day Catherine Roke was hideously injured at her loom.
Dr. Kristian Beck is known to be a man selflessly dedicated to the healing arts, so why is he being accused of murdering his very beautiful wife? Granted it was whispered that they lived separate lives, and she was so exquisite that men of all sorts were drawn to her side. To murder one’s wife in the throes of jealousy is considered a crime of passion, and the punishment for that might be less than for a straight-out, cold-blooded killing. As the woman featured in the haunting painting, A Funeral in Blue, Elissa Beck could have excited that kind of emotion.