Image courtesy of Paula Burch's All About Hand Dyeing, http://www.pburch.net/dyeing.shtml
Feel like putting a little free spirit in your summer? Get on your oldest clothes, grab some buckets and rubber gloves, and head for the backyard to create beautiful tie-dye crafts.
You can use natural or artificial dyes, depending on whether you want your design to be a real eye-popper or something subtler that bespeaks being at one with nature. You can use a tie-dye kit or collect wild things from nature for earthier tones. Heck, even unsweetened Kool-Aid can be used as a dye to produce vivid color.
From the mid-1950s to the late 1980s, the world of animation in the United States experienced a severe quality drought. Television animation was cheaply and quickly produced and loaded with errors. Feature-length animation experienced severe budget cuts, and the number of animated movies being released was drastically reduced. Cartoons that many generations grew up watching were made with “limited animation”—a style that utilized as few frames as possible, which resulted in choppy, simplified character motions.
Ah, the wacky uncle. He is an institution as old as the concept of family itself. Many can claim to have one, but few can say that his uncle is one of the most important artists of the 20th century. That's where Uncle Andy's, by James Warhola, figures in.
Before Warhol was a painter, a filmmaker, and a celebrity, he was Andrew Warhola. After college, he shortened his name and left his home in Pittsburgh to start an art career in Manhattan. But back in Steel City was Andy's older brother Paul, who worked in a junkyard and was father to seven children, one of whom was our author/illustrator James. Paul used a lot of the trash he found to make sculptures, and if he found something particularly unusual, he would bring it to Andy.