With a mother who tries to be prim and proper and a daddy who dreams big but has sorrowful, often hilarious runs of bad luck trying to make his way in the world, young Daisy Fay—with a chipped front tooth, brave heart, and clever mind—finds the 1950s a spectacularly exciting time to come of age. As in her other best-selling novel, Fried Green Tomatoes at the Whistle Stop Café, Fannie Flagg’s Daisy Fay and the Miracle Man overlays its sometimes somber situations with such absurdities as to have readers laughing out loud.
Michael Lee West’s Mermaids in the Basement finds screenwriter Renata DeChavannes grieving from the recent loss of her mother and stepfather in an airplane crash. She retreats to her family home in the Outer Banks where she eats uncontrollably. While she is buying her movie-producer boyfriend a sweater in a little clothing store, she happens to see the tabloid article telling that her absent love is rumored to be dating his latest movie’s star in faraway Dublin.
Devastated, her drinking, too, begins to get out of control. One night, a drunken Renata has a beach bonfire and burns her manuscript. When she wakes up not knowing what she has done, she looks through all of her drawers to find it but instead discovers a letter from her mother instructing her to contact her paternal grandmother in order to find out the stories of her mother’s “dirty deeds.”