Jem stays away from people. She is a loner and she likes it that way. Then she meets Spider one day under a bridge in London. As much as she tries, he won't leave her alone. She rarely makes eye contact with people and for good reason. When Jem looks into people's eyes she can see the day they are going to die. She looks into Spider's eyes. This is the basis for the story Numbers by Rachel Ward (audiobook version).
Despite Jem's efforts, she and Spider form a friendship, which eventually evolves into something more when they decide to run away together. This happens after a trip to the London Eye. Jem looks into the eyes of the people waiting in line to board the attraction and she realizes that they all have the same death date...that very day. Jem suddenly realizes that something catastrophic is going to happen and that she and Spider have to get away immediately. While they are running away a tragic event occurs. Jem and Spider are safe...but are they? The surveillance cameras capture their escape and suddenly they are wanted by authorities for questioning. Jem and Spider steal a car and head west across England. As they continue to outrun the authorities, their relationship grows.
Fast paced and gritty ...this audio will keep you on the edge of your seat. The reader is adept at the various accents found throughout England. The story is touching and engaging. Jem and Spider provide such compelling characters that you can't help rooting for them.
The ending was stunning and completey unexpected...at least by me!!!
With steaming cups in hand, today's Fredericksburg area coffee shops continue a tradition which dates back three centuries to the founding of the town.
Walk in gentlemen, rest at your ease,
Pay for what you call for, and call for what you please.
This verse hung over the doorway of The Coffee House in old Fredericksburg. Located in the first Market House/Town Hall on Caroline Street near William, it was here that 18th- and 19th-century Fredericksburgers sipped their favorite brew and pondered questions from the political to the classical.