1900-1909 -- fiction
Set in the Gilded Age of the 1890s through the beginning of the 20th century, Clara and Mr. Tiffany, by Susan Vreeland, paints a not always pretty picture of New Yorkers’ lives during one of the city’s most bustling periods. These were the days when the Statue of Liberty was new, thousands of hopeful European immigrants crowded into slums, and, for a few talented and lucky young women, there was a chance to be independent and earn good wages at Mr. Tiffany’s stained glass studio.
Ragtime, by E. L. Doctorow, swirls through 1906 America with a breakneck stream-of-consciousness pace more frenetic than most historical fiction. A densely-constructed ensemble piece that alternates between fictional and real life figures of the age, the thoroughly modern novel amazed critics and readers alike upon its publication in 1975.
Set in the first decade of the 20th century, In the Shadow of Gotham, by Stefanie Pintoff, combines the atmosphere of a gothic novel with the more invigorating pace of a police procedural. Simon Ziele has buried himself in a quiet town in Westchester County to escape the memory of his lost love. He was an up-and-coming detective in the New York City police force when tragedy drove him to seek a quieter position, far away from the violence of Manhattan’s darker quarters.
And yet, when the call came to investigate a murder at the home of one of Westchester’s finest families, Detective Ziele is drawn in by duty to find out who killed the lovely, young mathematics genius in such a shocking and brutal way before it happens again.
It’s 1900, and lovely, smart Hilda Johansson is one of many immigrants working as live-in servants to rich households in Southbend, Indiana. In Jeanne M. Dams’ Death in Lacquer Red, Hilda has a pleasant if strenuous life, working hard to save money to bring her other family members over from Sweden. She is being courted by a handsome Irish fireman who won’t let the fact that their families wouldn’t approve--he’s Catholic and she’s Lutheran--get in the way of the romance. Even so, a dead body in the lilac bushes does put a damper on their day out together.
1901, Ontario, Canada
Riding the train to a small farming community, young Mable and her older—and rather bossily annoying—sister Viola are about to embark on an autumn of possibilities, although certainly everything seems dull as dishwater on the surface. Goodhand Farm, where they will be rooming, seems the same as countless other family dairy farms, and the one-room school where 19-year-old Viola will be teaching seems much like countless others across territory. But there are some very important details in Marthe Jocelyn’s book, Mabel Riley, that change the dull into the brilliant to illuminate the friction of a swiftly changing world.