Fathers and Daughters -- fiction
Twelve-year-old Abilene Tucker jumped off the train in Manifest, Kansas, well before it officially stopped—and for good reason. Abeline was in a bit of a mood. She, who was used to criss-crossing the whole nation alongside of her beloved drifter dad Gideon, was being parked for an entire summer at the dustiest, driest town imaginable while he goes to work a railroad job in another state. In Moon Over Manifest, by Clare Vanderpoole, the year is 1938—about 20 summers since her Dad was here as a boy. The whole town, not just the lawns and the gardens, seems like it’s about to blow away in the June wind. What Abilene doesn’t realize is that this seemingly dead place is full of secrets and regrets just waiting to bubble to the surface.
Dreamer, Inspired by a True Story, is one of those uplifting horse films that is good for the whole family. It features a stellar cast. Ben Crane (Kurt Russell) is the dad who barely makes a living training other people’s--rich people’s--horses. Kris Kristofferson plays his father, a gruff man who lost almost all the family’s land along with their money and their stock during his hard times as a racehorse owner. Father and son are shy with each other, bitter, and stubborn. The lightness comes from young Cale Crane (Dakota Fanning) who, without being cloyingly sweet, wants to follow in her family’s footsteps, much against her father’s wishes.
In Andrew Peters’ Salt Is Sweeter than Gold, an old king has three daughters, but only one will inherit his kingdom. Who should it be? When it’s time to decide, the king holds a grand ceremony and asks in front of huge crowd a simple question: how much do you love me? The first answer pleases him very much: “I love you more than all the jewels that encrust your fingers and all the gold that lies hidden in the vaults of this castle!” The second daughter also gives a charming answer: “I love you more than all the land that spreads like an ocean beyond this castle!” But when the youngest, who did truly love him, says simply, “Father, I love you more than salt,” the king is so insulted he banishes her immediately and tells her she is no longer his…. until the day that salt becomes more precious than gold.
Michael Lee West’s Mermaids in the Basement finds screenwriter Renata DeChavannes grieving from the recent loss of her mother and stepfather in an airplane crash. She retreats to her family home in the Outer Banks where she eats uncontrollably. While she is buying her movie-producer boyfriend a sweater in a little clothing store, she happens to see the tabloid article telling that her absent love is rumored to be dating his latest movie’s star in faraway Dublin.
Devastated, her drinking, too, begins to get out of control. One night, a drunken Renata has a beach bonfire and burns her manuscript. When she wakes up not knowing what she has done, she looks through all of her drawers to find it but instead discovers a letter from her mother instructing her to contact her paternal grandmother in order to find out the stories of her mother’s “dirty deeds.”