In 1972, Richard Adams’ classic fantasy novel Watership Down was first published. This exciting adventure follows the travels of a group of rabbits seeking a new home after the destruction of their warren. Evocatively written and imaginatively plotted, this novel excelled in portraying the world we humans perceive as mundane as a place filled with danger and mystery, and also excelled in its depiction of the primitive religion and folklore the rabbits created to explain the natural environment. After I finished reading Watership Down a couple of months ago, I searched for a similar fantasy told from the perspective of animals, but finding a novel of its caliber proved difficult. Many of the other animal-centered fantasy stories I found were either too deliberately whimsical or too childish to live up to Adams’ novel. Eventually I found David Clement-Davies’ Fire Bringer and decided to give it a try based on the recommendation by Adams on the back cover. Filled with adventure, suspense, and gripping depictions of the natural world, this novel lived up to my lofty expectations.
Young Fredle grows up repeatedly hearing the rules about how mice behave. Sometimes it seems like life between the walls of the kitchen is nothing but rules. One of the most important rules is that mice don’t change. But that doesn’t dampen Fredle’s curiosity and sense of adventure. Finally, his mother’s predictions come true, and his curious nature and sweet tooth get Fredle in deep trouble. And so Fredle finds himself Outside.
The Left Bank Gang opens with a dog shuffling down the streets of 1920's Paris, keeping mostly to himself. He ignores a panhandler, but then sees another dog that he recognizes. They shake hands. One dog's name is Ezra Pound. The other's is Ernest Hemingway.
Gang is a clever nugget of alternate history fiction. Rather than focusing on complex geopolitical questions like "What if the Germans won World War II?" Norwegian cartoonist Jason turns to the zeitgeist of expatriate writers such as Pound, Fitzgerald, Joyce, and Hemingway. His hypothesis is "What if all of these starving geniuses just got fed up and turned to crime?"
How five crows managed to lift a twenty-pound baby boy into the air was beyond Prue, but that was certainly the least of her worries.
So begins Colin Meloy’s debut novel Wildwood, in which a girl named Prue journeys into the Impassable Wilderness, a dense maze of a forest outside her hometown of Portland, Oregon, in order to retrieve her brother--with an awkward classmate named Curtis tagging along. Due to some misfortune involving coyotes decked out in military uniforms, the two children must separately navigate this strange world where talking animals uneasily coexist with humans who have never met anyone from the outside. A revolution is about to happen, and Prue and Curtis quickly find themselves on opposite sides.
“New folks coming!”
That’s the important news that the young rabbit, Little Georgie, has to share with all of his neighbors, from the stately deer to the excitable field mouse on Rabbit Hill. Will they be good providers or “slatternly” like the last batch? Most everyone hopes for a garden, but Phewie, the skunk, is hoping for some quality “garbidge.” All of the residents of Robert Lawson’s Rabbit Hill have an opinion and a hope about what will come.
So many things could go wrong if the new folks that come aren’t nice. There might be vicious dogs. They might bring traps. They might even cut down and plow up the thicket where the burrow lies. Mother Rabbit is beside herself with worry, but Little Georgie and the rest are mostly just excited.