If memoirs are written to both connect with the reader and exorcise the writer's personal demons, then Moshe Kasher had one gigantic, stinky, firebreathing, sword-wielding demon.
His debut book's title says it all: Kasher in the Rye: The True Tale of a White Boy from Oakland Who Became a Drug Addict, Criminal, Mental Patient, and Then Turned 16. Sure the Salinger-inspired pun is as obvious as a rhino stampede, but Moshe Kasher has had quite a colorful life. A life that I would not want to wish on my worst enemy.
Now a stand-up comic, Kasher was born to not one, but two, deaf parents. Mom and Dad separated within a year of his birth, and his mother took him and his older brother from Brooklyn to Oakland where a life of food stamps, less than stellar public schools, and years of therapy awaited them. This menagerie of elements was perfect for young Moshe (who at the time went by the less-Semitic name Mark) to rebel.
In Gun, with Occasional Music, Jonathan Lethem blends dystopia and noir in order to depict the Oakland of the future: a surreal world where the written word is obsolete and animals wear clothes and behave as humans. It’s also a place where corrupt Inquisitors run amok and one’s social standing is determined by “karma points.”
In the midst of this disorienting environment, Conrad Metcalf is a reassuringly anachronistic figure. Rather than serving the monolithic institution known as the Office, he embraces his own brand of investigation, walking the streets and asking questions as a Private Inquisitor. The Office has tolerated his presence and unorthodox methods, but their complacency evaporates once Conrad starts working for a new client: Orton Angwine.