Did you know?
— She's known as Jo to her friends. No one's called her Joanne since she was a child, and only then if she was being naughty.
— Rowling is pronounced "rolling."
— Harry Potter and the Sorcerer's Stone was first published in England as Harry Potter and the Philosopher's Stone.
— Hermoine IS based on a real person — J.K. Rowling!
— The fantastic Ford Anglia featured in Harry Potter and the Chamber of Secrets is similar to one owned by Sean Harris, her best friend at Wyedean School.
“My dad works at an advertising agency and my mom anchors the local evening news. They are both very good-looking for old people, and I’m not being arrogant but just stating a fact when I say I inherited the best from both of them.” – Ashley, We Are All Made of Molecules
Ashley is the best-looking and most popular person in high school. Stewart, not so much. Stewart is a certifiable genius. Ashley? Well, let’s just say she’s a few fries short of a Happy Meal.
The Generation Dream 2014 Concert has been a much-anticipated annual event for the last eight years in Richmond, and now CRRL is pleased to bring this concert to Fredericksburg for the first time ever! The Generation Dream concerts honor the life and legacy of Dr. Martin Luther King, Jr. They include live performances that range from a rock band to a classical trio, rap musicians, modern dance, traditional African dance and even to spoken word artists. You can learn more by visiting them on Facebook.
The Fredericksburg concert will be held on Sunday, February 16, from 3:00-4:30 at the Headquarters Library Theater on 1201 Caroline Street. It is sponsored by the Richmond Youth Peace Project, a program of the Richmond Peace Education Center. To sign up, please call 540-372-1144.
Film noir is not easily defined. The actual words come from French and mean "black cinema." It was in France during the post-war years that the term was used to describe a certain set of Hollywood films that were saturated with a darkness and cynicism that was not seen before. These movies included The Maltese Falcon (1941), Double Indemnity (1944), Laura (1944), and Murder, My Sweet (1944).
Before there was Bridget Jones or Ugly Betty, there was Georgy Parkin. Quirky, plain, sweet and somewhat plump, this well-meaning girl from the wrong social circles looked for love in swinging '60s London.
The most famed and prolific area of science fiction is the planetary adventure, featuring strange environments, exotic alien races, and massive battle scenes. Many of the most popular science fiction universes, such as Star Wars, Star Trek, and Avatar, take place in these environments. Most of these universes owe their existence to the adventure fiction of one author.
One of the sub-genres that defined classic American crime and detective movies was film noir, a style that was pervasive in detective films of the 1940s and 1950s. Film noir arose during the post-World War II period in the United States as a generation that fought in one of the most brutal conflicts the world had ever seen returned home to a changed America where jobs were scarce and the national mood seemed darker and more cynical than during the war itself.
This is the second installment in a series on the history of detective fiction.
Detective and crime-related stories are one of the most popular genres of fiction. In literary form, detective novels are so numerous that publishing companies devote entire labels to the genre and release hundreds of entries per year. Detective/crime-related narratives have become a major part of television programming, with networks basing their entire primetime schedule around crime-related series.
Detective fiction is such an integral part of the current literary landscape that many people have difficulty remembering all its subgenres, popular works, and notable authors. This series explores the history of detective fiction, the authors who were a major influence on its development, and books and films in its major subgenres.
Although zombies have a long history of appearances in religion and folklore, interest in them as villains in horror films is largely confined to the second half of the 20th century. The explosion in zombie popularity is based on a characterization established by a single film and the fact that the original characterization of the zombi in African folklore and religion, as well as in earlier films, is dramatically different from that of the popular characterization from the 1960s onward. To understand zombies in both their original context and in the role they have come to take in popular culture requires an understanding of two divergent traditions.