One of the Great Courses series of recorded lectures, this is a biographical and musical study of Wolfgang Amadeus Mozart (1756-1791), who composed more than 600 works of beauty and brilliance in just over 20 years. Mozart combined the pure lyricism of song with dramatic timing, depth of expression, and a technical mastery of the complexities of phrase structure and harmony to create a body of work unique in the repertoire. His personal life has generated nearly as much interest. Was Mozart the horse-laughing idiot of theater and cinema? Was he borderline autistic or musical freak? And how did he really die? Professor Robert Greenberg of the San Francisco Conservatory of Music states that,"The goal of these lectures is to show Mozart to be a person: a talented, hard-working, ambitious man who had friends and enemies and whose music was subject to criticism in his own day."
Suitable for all ages, conditions, and body types, this video features slow, continuous stretching motion that flows from the inside to create a healthy, well-proportioned body. The exercises are set to music by Mozart.
"Throughout his life, Wolfgang Amadeus Mozart was enchanted, amused, aroused, and betrayed by women—his mother, sister, wife, sisters-in-law, female patrons, friends, lovers, and fellow artists—and he was equally complex to them. But ultimately the great composer loved and respected the women he knew intimately and those whom he admired from afar. In this fascinating, evocative, and compellingly readable biography, Jane Glover, acclaimed conductor and acknowledged expert on Mozart's life and work, brings these remarkable ladies vividly to life—the real women who shared the composer's tumultuous world and inspired some of his greatest musical achievements, as well as those he dramatized in his magnificent operas."
By Ruggero Raimondi, John Macurdy, Edda Moser, Kiri Te Kanawa
This is the screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways. So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!
Born in Austria in 1756, Wolfgang Amadeus Mozart composed his first piece of music, a minuet, when he was just five years old! Soon after, he was performing for kings and emperors. Although he died at the young age of thirty-five, Mozart left a legacy of more than 600 works. This fascinating biography charts the musician's extraordinary career and personal life while painting a vivid cultural history of eighteenth-century Europe. Black-and-white illustrations on every spread explore such topics as the history of opera and the evolution of musical instruments. There is also a timeline and a bibliography.
"The essential introduction to Mozart and the pleasures of classical music in a witty, exuberant style to match Mozart's own. What to Listen For in Mozart reveals the essence of Mozart's music as well as his tumultuous life and times, examining his achievements within the aristocratic society of the late 1700's, a society hovering on the brink of revolution, and the details of his career and tragic death, shunned and destitute at the age of thirty-five."
In assembling and editing this collection of essays, it was Mozart specialist Neal Zaslaw's wish to share with a broad audience some of the enjoyment and sense of discovery he has experienced in studying, teaching, writing about, and performing Mozart's music. In particular, this book will have served a worthy purpose if it encourages the reader to explore some of the riches to be discovered when one ventures off the straight and narrow path represented by the fewer than one hundred Mozart works found in the regular concert and opera repertory today.
"This major work places Mozart's life and music in the context of the intellectual, political, and artistic currents of eighteenth-century Europe. Even as he delves into philosophic and aesthetic questions, Robert Gutman keeps in sight, clearly and firmly, the composer and his works. He discusses the major genres in which Mozart worked--chamber music; liturgical, theater, and keyboard compositions; concerto; symphony; opera; and oratorio. All of these riches unfold within the framework of the composer's brief but remarkable life. With Gutman's informed and sensitive handling, Mozart emerges in a light more luminous than in previous renderings. The composer was an affectionate and generous man to family and friends, self-deprecating, witty, winsome, but also an austere moralist, incisive and purposeful. Mozart is both an extraordinary portrait of a man in his time and a brilliant distillation of musical thought."