The main character in Nicola Yoon’s Everything Everything, Madeline, lives in a bubble. Literally. Her house has an airlock and the very rare individuals allowed to enter must go through a decontamination process. Direct contact with anything can be potentially life-threatening, and Madeline has lived this way as long as she can remember. It’s all she knows. She has been comfortable with and understood this life. Until now. Because, when a cute boy named Olly moves in next door, she finds herself wanting more.
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Necessary Lies by Diane Chamberlain
Caring for her family on their mid-20th-century tobacco farm after the loss of her parents, 15-year-old Ivy connects with Grace County social worker Jane, who strains her personal and professional relationships with her advocacy of Ivy's family, whose dark secrets test Jane's resolve against racial tensions and state-mandated sterilizations. (catalog summary)
If you like the historical drama, diversity, and transition of Necessary Lies, then check out these titles:
Before We Visit the Goddess by Chitra Banerjee Divakaruni
A novel in stories, built around crucial moments in the lives of 3 generations of women in an Indian/Indian-American Family. (catalog summary)
The Charm Bracelet by Viola Shipman
Through an heirloom charm bracelet three women will rediscover the importance of family, love, faith, friends, fun and a passion for living as the magic of each charm changes their lives. (catalog summary)
“Most kids grow up leaving something out for Santa at Christmas time when he comes down the chimney. I used to make presents for the Four Horsemen of the Apocalypse.”
When I picked up a copy of Jeanette Winterson’s recent memoir, Why Be Happy When You Could Be Normal, I couldn’t wait to start the first page. I’ve been fascinated by Winterson’s novels for years, but never imagined she would narrate her life in the coherent, linear style associated with memoirs. In Winterson’s fiction, she constantly manipulates the boundary between fantasy and reality, integrating personal experience, mythology, and philosophy into a fluid conglomeration. Although Why Be Happy does feature some of Winterson’s trademark structural experimentation, it is also an engrossing story about one woman’s experience of dysfunction, madness, violence, love, and religion.