Joel and Ethan Coen might be the two finest filmmakers working in America today. There are few directors who have captured more entertaining, accurate, or varied instances of the American experience.
Nearly all of their films center around some sort of crime or illicit behavior. Sometimes the protagonist is the perpetrator. Other times he is a victim or an unwitting bystander sucked into the chaos. Almost always though, the protagonist is a fool.
Wes Anderson's eighth feature-length film, The Grand Budapest Hotel, is set to premiere early next year. A writer and director of comedies since the mid-nineties, Anderson has traveled from the open roads of Texas to the top of the Himalayas and back. I personally cannot wait to see where he takes us next.