On the surface Gone Girl reads like a whodunit thriller, and it makes a great summer read--but it’s also a literary novel in disguise with its imagery of a landscape of an economic wasteland, the characters’ moral bankruptcy, and its themes of identity and marriage. It’s been the book of the summer for me.
On their fifth anniversary, Nick Dunne comes home, and his wife Amy is gone. The initial crime scene: an open door, the ottoman turned over, broken glass, and the iron left on. Instead of beginning with “boy meets girl,” the plot starts with “boy loses girl.” Detectives arrive and the media circus begins.
Told in alternating he said/she said chapters, we learn the back story of Nick and Amy. Gilliam Flynn throws her readers red herrings with sneaky abandon. I found myself shifting loyalties back and forth from Team Amy to Team Nick and then being horrified and guiltily fascinated with both of them.